The dominance of Anglo-American rock since the 1950s has come to drive and define the narrative of its evolution, to the detriment of its continental cousins. True, the re-emergence and influence of German 70s kosmische music over the past decade on the contemporary psych scene – and, to a lesser degree, the contribution of French and Italian proggers of the day – has gone some way to redressing the balance, but the contribution of Scandinavian bands is frequently overlooked.