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Opera Now Magazine March 2018 Back Issue

English
17 Reviews   •  English   •   Music (Classical)
Only €7,99
Anglo-American conductor Harry Bicket marks this year’s Bernstein centenary with a new production of Candide at Santa Fe Opera; passion for Pavarotti reaches the shores of Oman with an exhibition at the stunning Royal Opera House Muscat; and Opera Philadelphia’s Festival O gears up for its second instalment at unusual venues across the city.

Plus, Walter Sutcliffe maps out the future of opera in Northern Ireland as he takes the helm of the region’s national company; Native American opera singer Holden Madagame describes his transformation from mezzo to tenor; Wolf Trap Opera brings world-class performances to the farmlands of northern Virginia; horror movie director Aik Karapetian tackles Bizet’s Carmen in Montpellier; marking the 90th birthday of German mezzo Christa Ludwig; and conductor Natalie Murray Beale introduces her latest projects with London’s Independent Opera.
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March 2018 Anglo-American conductor Harry Bicket marks this year’s Bernstein centenary with a new production of Candide at Santa Fe Opera; passion for Pavarotti reaches the shores of Oman with an exhibition at the stunning Royal Opera House Muscat; and Opera Philadelphia’s Festival O gears up for its second instalment at unusual venues across the city. Plus, Walter Sutcliffe maps out the future of opera in Northern Ireland as he takes the helm of the region’s national company; Native American opera singer Holden Madagame describes his transformation from mezzo to tenor; Wolf Trap Opera brings world-class performances to the farmlands of northern Virginia; horror movie director Aik Karapetian tackles Bizet’s Carmen in Montpellier; marking the 90th birthday of German mezzo Christa Ludwig; and conductor Natalie Murray Beale introduces her latest projects with London’s Independent Opera.


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Opera Now  |  March 2018  


Anglo-American conductor Harry Bicket marks this year’s Bernstein centenary with a new production of Candide at Santa Fe Opera; passion for Pavarotti reaches the shores of Oman with an exhibition at the stunning Royal Opera House Muscat; and Opera Philadelphia’s Festival O gears up for its second instalment at unusual venues across the city.

Plus, Walter Sutcliffe maps out the future of opera in Northern Ireland as he takes the helm of the region’s national company; Native American opera singer Holden Madagame describes his transformation from mezzo to tenor; Wolf Trap Opera brings world-class performances to the farmlands of northern Virginia; horror movie director Aik Karapetian tackles Bizet’s Carmen in Montpellier; marking the 90th birthday of German mezzo Christa Ludwig; and conductor Natalie Murray Beale introduces her latest projects with London’s Independent Opera.
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Articles in this issue


Below is a selection of articles in Opera Now March 2018.

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