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16 MIN READ TIME

THE PROG INTERVIE

Every month we get inside the mind of one of the biggest names in music. This issue it’s Gordon Giltrap. The British guitarist and songwriter made his mark on London’s folk music scene in the 60s, performing alongside Bert Jansch and Mike Oldfield, and released his self-titled debut in 1968. But within the space of a few years, he quickly found a welcome audience in the world of prog. Since then, he’s enjoyed a lengthy career collaborating with members of Fairport Convention, Soft Machine, The Who and both Rick and Oliver Wakeman. His latest multimedia project, Scattered Chapters, finds him collaborating with keyboard player Paul Ward and Harry Potter film scorer Nick Hooper. He takes Prog on a journey through his past, present and into his plans for the future. WWords: Mike Barnes
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Prog
Issue 135
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REGULARS
PROG PRESENTS...
Apollon signees Major Parkinson. Located in Bergen, Norway,
Ed’s Letter
Hello, and welcome to the new issue of
Bloody Well Write
Send your letters to us at: Prog, Future Publishing, 121-141 Westbourne Terrace, London, W2 6JR, or email prog@futurenet.com. Letters may be edited for length. We regret that we cannot reply to phone calls. For more comment and prog news and views, find us on facebook.com under Prog.
INTRO
ENSLAVED’S HEAVY NEW CONCEPT ALBUM
Limelight
POLYPHIA Liberated Texan collective mixing genres and cultures with
The Musical Box
MAGMA
Take a bow
Thankfully, you can’t hear the whistling while reading
MY PROG
NICK FLETCHER
FEATURES
Q&A
JULIE TIPPETTS
Forever Afternoon
In 1967, a new line-up of The Moody Blues embraced their symphonic influences to create a groundbreaking album that not only pushed them in a new musical direction but also brought about the birth of progressive rock. As the lavish Days Of Future Passed turns 55, John Lodge, Justin Hayward and other key players take us on a journey into a past that has helped forge the band’s future
SPATIAL DELIVERY
He was the darling of epic ambient electro in the 70s and 80s, now Jean-Michel Jarre is continuing to push boundaries with Oxymore, his 22nd album. Prog catches up with the French sound artist to find out more about the immersive project that pays homage to musique concrète pioneer Pierre Henry, and the VR world that accompanies it.
The Sky’s The Limit
Fresh from their successful recent shows with Big Big Train, Norwegian art-rockers Dim Gray are ready to share their captivating music with the rest of the world. Prog catches up with Håkon Høiberg, Oskar Holldorff and Tom Ian Klungland to discuss their melodic second album Firmament, the joy of meeting their heroes, and the excitement of finally playing outside their home country.
Wand’rin Star
A change is as good as a rest and on his 21st studio album, Devin Townsend has decided to take a calmer and more reflective approach to his songwriting. Lightwork finds him swapping his trademark shredding for prog-pop synths and bright harmonies. Prog catches up with the prolific musician to find out more.
Full Circle
Former Mercury Prize nominees, the now-streamlined Sweet Billy Pilgrim are back with a new concept album that finds them blending their classic art-rock and pop influences with more contemporary arrangements. Multi-instrumentalists Tim Elsenburg and Jana Carpenter share the story behind Somapolis and explain how their fans helped them realise it.
For Young Moderns
At the end of the 1970s, bandleader Bill Nelson dissolved Be-Bop Deluxe and founded a new kind of band. Red Noise saw him embrace the burgeoning new wave movement – and although they released just one album, it paved the way for his solo career. With the recent release of the expanded Sound-On-Sound and its companion box set, Art/Empire/Industry, Nelson takes Prog on a trip back to the group’s creation.
Witches’ Brew
They explored the hidden lives of classic horror movie stars on 2020’s Masters Of Illusion and now Magenta have turned to cunning folk to conjure up their first orchestral album, The White Witch – ASymphonic Trilogy. Robert Reed and Christina Booth talk to Prog about old horror flicks, medieval healers and dreams of the Royal Albert Hall.
Hello, I Must Be Going…
Back in September, Norway’s Green Carnation played a very special homecoming show in the city of Kristiansand complete with a string quartet. Prog was there to catch it (sort of) and afterwards, sat down with vocalist Kjetil Nordhus and bassist Stein Roger Sordal to discuss last year’s reissue of The Acoustic Verses and the band’s blossoming plans for the future.
Scaling The Summit
As Galahad return with their first studio album in almost five years, The Last Great Adventurer, vocalist Stu Nicholson and keyboard player Dean Baker discuss the triumph of persistence over adversity.
Songs Of Isolation
Four years after their 2018 debut caught the post-rock world’s attention, VLMV are back with a more streamlined approach on follow-up Sing With Abandon. Mainman Pete Lambrou explains why he felt it was time to move away from guitars and craft more piano-based music that speaks directly to the listener.
PROG CRITICS’ CHOICE 2022
I t’s time again for the Prog magazine
CRITICS’ LISTS 2022
THE BEST THING I’VE HEARD ALL YEAR… IAN