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February 18
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Modigliani
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29 MIN READ TIME
Modigliani
Julian Halsby
Reclining Nude,
1919, oil on canvas, 281⁄2×46in (72.5×116.5cm). Museum of Modern Art, New York
Beatrice Hastings,
1915, oil on paper, 153¼×111¼in (40×28.5cm).
Private Collection
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The Artist
February 18
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Other Articles in this Issue
The Artist
WELCOME from the editor
Email me at theartistletters@tapc.co.uk, or visit our
PLUS
THE ART WORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
YOUR VIEWS
Email theartistletters@tapc.co.uk or write to The Editor
ART BOOKS
This is one of the most interesting books about pastel
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT, PHONE TO AVOID DISAPPOINTMENT
FEATURES
Focus on trees
David Brammeld, winner of The Artist Award in the Pastel Society 2017 annual exhibition, tells Susie Hodge about his techniques for painting trees in pastel
Inspired by the masters
Daisy Sims Hilditch, whose paintings are rich, soft and full of character, talks to Susie Hodge about her preference for a traditional approach to portraiture, inspired by Velázquez and John Singer Sargent
How do I approach a gallery?
Seeking gallery representation is a difficult part of the artist’s job. Gallerist Mark David Hatwood offers his advice on how make a successful approach to a gallery
Charles Williams’ musings Self esteem
There’s a current fashion in education and child-rearing
50 of the best
Art course and holiday providers in the UK and abroad
PRACTICALS
Game of tones
In the first of a new series, Hazel Soan explains why tone is so important and how you can train your eye to see and interpret the correct tones to represent three-dimensional objects in your paintings
Essence of place
Peter Monaghan seeks inspiration from places ‘with a story to tell’. He reveals the thinking and processes behind his mixed-media paintings incorporating collage
Grey can be exciting
Judi Whitton shows you how to mix just the right grey for your watercolours, and shares her handy ‘useful mix’ for a variety of objects
A pastel pencil affair
Wildlife artist Martin Aveling is hooked on pastel pencils. He shares his thoughts on the versatility of this medium and the techniques he uses in his work
Extreme realism
Iain Gardiner reveals how he painstakingly painted a large-scale, realistic self-portrait in oils, often using miniature painting techniques
Painting the horse
Ruth Buchanan concludes her two-part series on drawing and painting the horse with a watercolour demonstration, with useful tips on colours and techniques, and painting hooves and eyes
Urban excitement
Sarah Manolescue loves the challenges and the immediacy of painting vibrant, busy scenes. Here she describes a typical plein-air oil painting, with her top tips for success
The upper limbs and hands
Hands can be so expressive in poses, and convey much emotion in a painting or sculpture, says Adele Wagstaff, who continues her series with a study of the anatomy of arms and hands
Creating space
Patrick Cullen shares his tips for using pastels along with compositional advice as he demonstrates a pastel painting of an orchard in full blossom
Embrace acrylics!
Paul Gadenne takes an in-depth look at acrylics and how you can make the most of their properties to achieve spontaneity in your work
Printmaking without a press
Phil Tyler demonstrates how to make a print from a piece of your artwork, without using any specialist equipment
Immerse yourself in creativity
At some stage you will have thought about booking yourself onto a painting course or holiday. Kevin Scully has some tips and advice that will help you to decide what to pack and what you should take into consideration before you book
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