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November 2019
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THE ART WORLD
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34 MIN READ TIME
THE ART WORLD
compiled by Jane Stroud
Rachel Ward
Misty Recuperating
, pencil, 6x6in (15x15cm)
DRAWING AUGUST
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The Artist
November 2019
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Other Articles in this Issue
The Artist
WELCOME
from the editor
YOUR VIEWS
LETTERS, EMAILS AND COMMENTS
Paint the Lavender Fields in Provence with Haidee-Jo Summers ROI, ARSMA
An exclusive opportunity to paint the lavender fields, private gardens, rolling hills, mellow-stone hilltop villages and the charming water town of L’Isle sur la Sorgue in the beautiful Luberon region. Travel is by train from London to Avignon so you can take all the painting equipment you wish to
PRACTICALS
Create depth in watercolour
Successful watercolours have a sense of depth that carries the eye of the viewer into the painting. Herman Pekel shares his strategies for creating depth and distance in your watercolour paintings
Spatial awareness
Lucy Willis explains how to achieve perspective in your watercolour compositions in subjects including architecture, figures, shadows and aerial perspective
Make it an inky October!
Avid sketcher James Hobbs urges you to participate in Inktober on social media. All you need to do is draw with ink and share the results, as he explains here
Paint mountains with depth and light in acrylics
Jenny Aitken shares her strategies for capturing the scale and atmosphere of mountains
Eyes
Kathy Barker begins a new four-part series on portraiture by taking an in-depth look at eyes, showing you how to capture expressions and emotions
Dahlias
Soraya French continues her new series on painting floral compositons in mixed media by demonstrating a colourful border of dahlias
Early autumn trees
Paul Talbot-Greaves shows you how to paint trees loosely and spontaneously in acrylic to achieve shape and movement
Capture wildlife in the wild
Becky Thorley-Fox shares the secrets of capturing wildlife from life, drawing and painting on the spot
CAMBRIDGE
Geoff Hunt heads off to Cambridge, where he tries out his new paintbox
The power of the sketchbook
Robert E Wells reveals how his sketchbooks are used as a creative tool for studio paintings
Painting Sally
Aine Divine describes how she approached a watercolour portrait of our editor Sally Bulgin, with a step-by-step demonstration
How to learn from your mistakes
Paul Brown shares his experience of analysing his own work in order to improve his chances of success
Paint mountainscapes in acrylics
Paul Riley advises on the tools, materials and techniques for painting mountain scenes using acrylics
Watercolour, pure and simple
Ahead of an exhibition of Pure Watercolour Society members, Josephine Neil discusses the ongoing popularity of the medium, and its relevance in today’s world
COMPETITIONS, NEWS & OFFERS
#ASK Jackson’s
Got an art question you need answered? Need help or
PAINT IN TUSCANY with Richard Pikesley RWS, PPNEAC
Capture the romantic Tuscan countryside with its rolling hills and medieval fortified hilltop villages, Benedictine monasteries nestling amongst elegant cypress trees and the fabulous Renaissance towns of Pienza and Siena
NEW! MONTHLY SUBSCRIPTION TO THE ARTIST
Enjoy receiving The Artist with 80 pages of ideas and
ART BOOKS
Kagan McLeod
PaintersOnline editor’s choice
Meet this month’s editor’s choice winner from our PaintersOnline gallery, who receives a £50 Jackson’s Art Supplies gift voucher
FEATURES
Reflection and refraction
Reflections and refraction add visual interest to our paintings and can be found in many types of subject matter. Peter Burgess explains how to make the most of these natural phenomena in your work
CHARLES WILLIAMS’ MUSINGS
Amazing, incredible…
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