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November 2022
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A Pre-Raphaelite Love Story
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1 MIN READ TIME
THE ART WORLD
A Pre-Raphaelite Love Story
NEWS, INFORMATION AND ONLINE EVENTS IN THE ART WORLD
compiled by Jane Stroud
The Legend of King Arthur
Arthur
Hughes
The Rift Within the Lute,
1861-62,
oil
on
canvas,
20½336¼in
(52392cm).
Hughes
based
the
subject
loosely
on
The Idylls of the King
poems,
published
by
Alfred
Tennyson
Read the complete article and many more in this issue of
The Artist
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The Artist
November 2022
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EDITORIAL
WELCOME from the editor
Want to comment on something you’ve read, or
The Artist Publishing Co Ltd
Next month in the artist
FEATURES IN CONVERSATION Winner of The Artist Award
PLUS THIS MONTH
YOUR VIEWS
LETTERS, EMAILS AND COMMENTS
RWS LESS IS MORE & FUNDRAISING AUCTION
Humphrey Ocean RA African Thrush 2, gouache, 638¼in
JAKAR – ROSA WATERCOLOURS FROM UKRAINE
ROSA Gallery Fine Art Watercolours landscape set ROSA
ART CLUB NEWS
Suzanne Southerton Portrait of Ella, oil on canvas,
The EY Exhibition CÉZANNE
Paul Cézanne Portrait of the Artist’s Son,
OPPOR TUNITIES & COMPE TITIONS
Check out the latest competitions to enter and make a note of important deadlines
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT PHONE TO AVOID DISAPPOINTMENT
ART BOOKS
Hazel Soan’s Art of the Limited Palette This
PaintersOnline editor ’s choice
Meet this month’s editor ’s choice winner from our PaintersOnline gallery
CROSS HATCHING in pen & ink
This extract is taken from Cross Hatching in Pen & Ink by August Lamm, published by Ilex Press, £20
FEATURES
IN CONVERSATION Working in harmony
Engaging with the world at a human level is important to Katrina Wallis-King both personally and as an artist. Susie Hodge talks to her about her affinity with landscape and the natural world and discovers how it brings meaning and value to her work
An appetite for nature
In this abridged extract from Alan Cotton’s book, Drawn to Paint, Jenny Pery sheds light on the artist’s optimistic approach to oil painting
PRACTICALS
The eye of the beholder
In the final article in his four-part series on watercolour landscapes, Ian Sidaway describes various approaches to the subject and the all-important composition
The art of the limited palette
In this concluding article in her three-part series, Hazel Soan turns our attention to the staining, lifting and granulation qualities of watercolours
Arresting portraits
Making a connection with the viewer from the start is important to Michele Ashby. In the first of two articles exploring pastel pencil techniques, she shows how to create a contemporary portrait
The adjudicator
In the second of his four articles on oil painting techniques Robert E Wells reveals some surprising tools he uses to obtain the results he’s looking for
Head in the clouds
Paint the delicate shape of clouds and mist with Winston Oh as he demonstrates how to tackle mountain landscapes in watercolour
Delights of the garden
Judith Yates finds constant inspiration from her own garden. Follow in her footsteps as she paints gardenscapes in acrylic and acrylic inks
Crosshatching in pen and ink
August Lamm brings the ancient technique of crosshatching up to date in this abridged extract from her new book. Follow her portrait demonstration and learn how to use contoured crosshatching techniques
A temperamental medium?
In the second of her three-part series on painting with gouache, Manda Comisari tackles blending, layering and adding detail and shows that, applied correctly, there’s nothing to fear
Taming the wild
Follow Lucy Swinburne’s step-by-step guide to painting a wild dog with pastel pencils
Working from sketches
Turning sketches into successful watercolours can be a difficult process. Julie Collins offers advice on ways to think about your sketches as preparations for paintings as well as works in their own right
NEWS & OFFERS
Art Courses & Holidays showcase
Never underestimate the importance of taking time out to explore new places, meet new people and learn new skills
Staying safe
Mike Barr encourages us to take more risks and enjoy the confident accident
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