S et around events at an elite-level underground fight club, where slick punters bet on gladiatorial-style death matches, James Kermack’s cartoonish action saga is slapdash sub-Guy Ritchie, where characters have names like Tombstone and Hot Lips, and where an astonishingly high body count prevails. Moe Dunford is serviceable as the bruiser at the centre, but despite some always-good-to-see support (Phil Davis, Kate Dickie), this is caricatured and largely charmless. Even if you do get a creative riff on Oldboy’s corridor fight with a series of S&M gimps.