Vous consultez actuellement le France version du site.
Voulez-vous passer à votre site local ?
110 TEMPS DE LECTURE MIN

The GOLDEN AGE of CSO

FEATURE BY CHRIS BENTLEY
Production assistant George Gallaccio in Studio 4 at Television Centre for the recording of Planet of the Daleks in 1973.

In the hostile jungle of the planet Spiridon, the Doctor and a trio of Thals come upon an invisible mechanical device, immobilised by what Thal scientist Codal calls “light-wave sickness”. A circular depression in the ground is the only indicator of its presence – until Codal passes the Doctor a can of liquid colour. As black paint coats the device, a familiar form takes shape. A Dalek!

The Thals’ ‘liquid colour spray’ and the BBC’s Colour Separation Overlay reveal the threat in Episode One of Planet of the Daleks.
Lisez l'article complet et bien d'autres dans ce numéro de Doctor Who Magazine
Options d'achat ci-dessous
Si le problème vous appartient, Connexion pour lire l'article complet maintenant.
Numéro unique numérique DWM Special 43 – Special Effects
 
€5,99 / issue
Ce numéro spécial n'est pas inclus dans une nouvelle Doctor Who Magazine abonnement. Les abonnements comprennent le dernier numéro régulier et les nouveaux numéros publiés pendant votre abonnement.
Abonnement numérique annuel €64,99 facturé annuellement
Sauvez
55%
€5,00 / issue
ABONNEMENT À LA PRESSE ÉCRITE ? Disponible sur magazine.co.uk, le meilleures offres d'abonnement à des magazines en ligne.
 

Cet article est tiré de...


View Issues
Doctor Who Magazine
DWM Special 43 – Special Effects
VOIR EN MAGASIN

Autres articles dans ce numéro


DOCTOR WHO
DOCTOR WHO
In the final episode of Nigel Kneale’s groundbreaking serial The Quatermass
BUILD A ROCKET BOYS!
Picture the scene: a too-close encounter with an alien organism
A Peculiar Effect on the BBC
In the early days of the Visual Effects Department, everything
TRADING STANDARDS
In the earliest days of Doctor Who the BBC’s Visual
MINIATURE Effects
The public has always enjoyed seeing highly detailed miniatures of
COSTUME DRAMAS
Joining the BBC’s Visual Effects Department in 1958, Peter Day
The Ian Scoones Scrapbooks
The most flamboyant designerin the Visual Effects Department – and
The MONSTER CLUB
Before you could watch 45 minutes of Doctor Who Confidential
TINSEL, CLING FILM AND PLASTER DALEKS
Ian Gosling was already a BBC employee when, in early
Plastic Surgery
"I always refer to the BBC as ‘my company’,” says
PHYSICAL Effects
The most common physical effects are probably those connected to
LOGAN'S RUN
I had to go to Wales to blow up a
DOG DAYS
Tony Harding realised how famous K9 had become on a
AFTER EFFECTS
In the 1970s I was a big Doctor Who fan
Demolition Man
Visual effects assistants are some of Doctor Who’s unsung heroes,
Lord of the Files
Colin Mapson took an unconventional route to a three-decade career
SID EEFFECTS
After nearly half a century of operation, the BBC’s Visual
The Next Generation
In the mid-1990s it seemed Doctor Who’s television future lay
Trouble at Mill
Will Cohen’s childhood memories of Doctor Who are typical of
Picture Perfect
"It was incredibly exciting. We were making stuff for TV
MADE IN HEAVEN
Samantha Price remembers how she first heard about Heaven Sent
Axis All Areas
“Doctor Who is different every time. That’s the fun. You
ROLE MODELS
The things that got me into what I do now