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ArtReview Magazine Summer 2024 Edizione posteriore

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0 Recensioni   •  English   •   Art & Photography (Art)
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ArtReview’s Summer issue ponders the mutability of place. On the cover is Emeka Ogboh’s Boats, a gin made from Tasmanian and West African botanicals as part of the artist’s ongoing explorations of home and belonging that also include soundscapes. Carsten Höller and Adam Haar discuss their new sleep factory and experiments in dream influencing. Palestinian photographer Ahlam Shibli’s decades-long practice is the focus of an essay on her homeland’s history of occupation, violence and displacement. And Joyce Joumaa’s recent research-based videowork is examined for the ways in which it addresses both her home country of Lebanon and the geography of the migrant experience. Also in this issue, an interview with filmmaker Ephraim Asili and a column on David Adjaye’s architectural legacy in Accra, along with book and exhibition reviews from London, New York and Tokyo.
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ArtReview

Summer 2024 ArtReview’s Summer issue ponders the mutability of place. On the cover is Emeka Ogboh’s Boats, a gin made from Tasmanian and West African botanicals as part of the artist’s ongoing explorations of home and belonging that also include soundscapes. Carsten Höller and Adam Haar discuss their new sleep factory and experiments in dream influencing. Palestinian photographer Ahlam Shibli’s decades-long practice is the focus of an essay on her homeland’s history of occupation, violence and displacement. And Joyce Joumaa’s recent research-based videowork is examined for the ways in which it addresses both her home country of Lebanon and the geography of the migrant experience. Also in this issue, an interview with filmmaker Ephraim Asili and a column on David Adjaye’s architectural legacy in Accra, along with book and exhibition reviews from London, New York and Tokyo.


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ArtReview  |  Summer 2024  


ArtReview’s Summer issue ponders the mutability of place. On the cover is Emeka Ogboh’s Boats, a gin made from Tasmanian and West African botanicals as part of the artist’s ongoing explorations of home and belonging that also include soundscapes. Carsten Höller and Adam Haar discuss their new sleep factory and experiments in dream influencing. Palestinian photographer Ahlam Shibli’s decades-long practice is the focus of an essay on her homeland’s history of occupation, violence and displacement. And Joyce Joumaa’s recent research-based videowork is examined for the ways in which it addresses both her home country of Lebanon and the geography of the migrant experience. Also in this issue, an interview with filmmaker Ephraim Asili and a column on David Adjaye’s architectural legacy in Accra, along with book and exhibition reviews from London, New York and Tokyo.
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