When working in stained glass it is impor tant to have a light-filled workspace. Rachel’s garden studio has two large windows so that she can view her work in daylight
PHOTOGRAPHS POLLY ELTES
Rachel blackens up the leadwork on a finished piece using black grate polish, brushing off any excess with a clean shoe brush
For the past 11 years, Rachel has worked from a wooden studio at the end of her garden in Godalming, Surrey