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Living Blues Magazine Living Blues #282 Edición anterior

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5 Reseñas   •  English   •   Music (Other)
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Living Blues #282 features Chicago bluesman Jimi “Primetime” Smith His first gig at age 13 was backing his mother, Chicago drummer Johnnie Mae Dunson’s friend Jimmy Reed at the 1973 Ann Arbor Blues & Jazz Festival. Smith’s journey in the blues has certainly been atypical. Now, at age 63, he has absorbed all of the masters of his past and is his own blues man. Newcomer Stephen Hull is a Wisconsin-based guitarist and is another of the rising young blues players looking into the deep past of the blues while striking out on his own forward-looking path. Writer, photographer, musicologist, historian, and producer Samuel Charters’ career was instrumental to our understanding of blues, jazz, and world music. We take a deep look at Charters’ remarkably broad career and influence. This issue’s Let It Roll focusses on Chris Strachwitz’s 1960 field recordings of Mance Lipscomb that were the impetus for launching the classic Arhoolie Records. Lipscomb’s music predated the blues. Born is 1895 he was a classic songster who could play anything.
All of this plus the latest in Blues News, Breaking Out with Gervis Myles, LB Talks To Breezy Rodio, plus over 55 record reviews
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Living Blues

Living Blues #282 Living Blues #282 features Chicago bluesman Jimi “Primetime” Smith His first gig at age 13 was backing his mother, Chicago drummer Johnnie Mae Dunson’s friend Jimmy Reed at the 1973 Ann Arbor Blues & Jazz Festival. Smith’s journey in the blues has certainly been atypical. Now, at age 63, he has absorbed all of the masters of his past and is his own blues man. Newcomer Stephen Hull is a Wisconsin-based guitarist and is another of the rising young blues players looking into the deep past of the blues while striking out on his own forward-looking path. Writer, photographer, musicologist, historian, and producer Samuel Charters’ career was instrumental to our understanding of blues, jazz, and world music. We take a deep look at Charters’ remarkably broad career and influence. This issue’s Let It Roll focusses on Chris Strachwitz’s 1960 field recordings of Mance Lipscomb that were the impetus for launching the classic Arhoolie Records. Lipscomb’s music predated the blues. Born is 1895 he was a classic songster who could play anything. All of this plus the latest in Blues News, Breaking Out with Gervis Myles, LB Talks To Breezy Rodio, plus over 55 record reviews


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Living Blues  |  Living Blues #282  


Living Blues #282 features Chicago bluesman Jimi “Primetime” Smith His first gig at age 13 was backing his mother, Chicago drummer Johnnie Mae Dunson’s friend Jimmy Reed at the 1973 Ann Arbor Blues & Jazz Festival. Smith’s journey in the blues has certainly been atypical. Now, at age 63, he has absorbed all of the masters of his past and is his own blues man. Newcomer Stephen Hull is a Wisconsin-based guitarist and is another of the rising young blues players looking into the deep past of the blues while striking out on his own forward-looking path. Writer, photographer, musicologist, historian, and producer Samuel Charters’ career was instrumental to our understanding of blues, jazz, and world music. We take a deep look at Charters’ remarkably broad career and influence. This issue’s Let It Roll focusses on Chris Strachwitz’s 1960 field recordings of Mance Lipscomb that were the impetus for launching the classic Arhoolie Records. Lipscomb’s music predated the blues. Born is 1895 he was a classic songster who could play anything.
All of this plus the latest in Blues News, Breaking Out with Gervis Myles, LB Talks To Breezy Rodio, plus over 55 record reviews
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Living Blues is America’s leading authority on blues music and culture. Published for over 40 years, Living Blues provides in-depth interviews with the genre’s biggest stars, record reviews and the industry’s only blues radio charts.

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