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C Magazine Winter 2012 Back Issue

English
0 Reviews   •  English   •   Art & Photography (Art)
C Magazine 116 "Collections" features essays by Steve Lyons on Ivan Moudov's Museum in Fragments; Laura Kenins looking at Electronic Waste as Collection through the work of Laura Kikauka and Gordon Monahan, Eleanor King and Artifact Institute; Randy Gladman on the Art Collection of Alison and Alan Schwartz; Shannon d'Avout on Walid Raad and Artist Pension Trust; and Anna-Sophie Springer on The Book as Exhibition. C116 also includes an artist project by Charles Stankievech, book reviews and reviews of exhibitions by Yuji Agematsu, Morgan Fisher, Raymond Boisjoly, Ian BAXTER& and Derek Liddington, and more.
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C Magazine

Winter 2012 C Magazine 116 "Collections" features essays by Steve Lyons on Ivan Moudov's Museum in Fragments; Laura Kenins looking at Electronic Waste as Collection through the work of Laura Kikauka and Gordon Monahan, Eleanor King and Artifact Institute; Randy Gladman on the Art Collection of Alison and Alan Schwartz; Shannon d'Avout on Walid Raad and Artist Pension Trust; and Anna-Sophie Springer on The Book as Exhibition. C116 also includes an artist project by Charles Stankievech, book reviews and reviews of exhibitions by Yuji Agematsu, Morgan Fisher, Raymond Boisjoly, Ian BAXTER& and Derek Liddington, and more.


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C Magazine  |  Winter 2012  


C Magazine 116 "Collections" features essays by Steve Lyons on Ivan Moudov's Museum in Fragments; Laura Kenins looking at Electronic Waste as Collection through the work of Laura Kikauka and Gordon Monahan, Eleanor King and Artifact Institute; Randy Gladman on the Art Collection of Alison and Alan Schwartz; Shannon d'Avout on Walid Raad and Artist Pension Trust; and Anna-Sophie Springer on The Book as Exhibition. C116 also includes an artist project by Charles Stankievech, book reviews and reviews of exhibitions by Yuji Agematsu, Morgan Fisher, Raymond Boisjoly, Ian BAXTER& and Derek Liddington, and more.
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C Magazine, established in 1984, is an essential platform for critical debate about contemporary art. With an emphasis on Canadian practitioners and international contexts, each thematic issue engages with emergent perspectives through original art writing, criticism and artists’ projects. C is committed to facilitating meaningful, pluralistic, interdisciplinary, historically-engaged and imaginative conversations about art.

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