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Gramophone Magazine February 2017 Back Issue

English
18 Reviews   •  English   •   Music (Other)
Only €6,99
In the February issue of Gramophone, on sale from January 27, Hugo Shirley celebrates the art of Christian Gerhaher, the German baritone with a voice to make critics weep, as he prepares to release his latest Lieder recording. Also in this issue, Andrew Mellor champions the work of Swedish composer Anders Hillborg, whose latest commission is for star soprano Renée Fleming, and Philip Clark explores the power of electronic music and its ability to shock, physically and emotionally.

Elsewhere, there are other fascinating features on John Ogdon, Peter Eötvös and Ludovic Merlot, plus a probing survey of recordings of Bach’s flute sonatas. And of course there’s our excellent reviews section which, as always, includes all the latest classical music releases. We hope you enjoy it!
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Gramophone

February 2017 In the February issue of Gramophone, on sale from January 27, Hugo Shirley celebrates the art of Christian Gerhaher, the German baritone with a voice to make critics weep, as he prepares to release his latest Lieder recording. Also in this issue, Andrew Mellor champions the work of Swedish composer Anders Hillborg, whose latest commission is for star soprano Renée Fleming, and Philip Clark explores the power of electronic music and its ability to shock, physically and emotionally. Elsewhere, there are other fascinating features on John Ogdon, Peter Eötvös and Ludovic Merlot, plus a probing survey of recordings of Bach’s flute sonatas. And of course there’s our excellent reviews section which, as always, includes all the latest classical music releases. We hope you enjoy it!


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Gramophone  |  February 2017  


In the February issue of Gramophone, on sale from January 27, Hugo Shirley celebrates the art of Christian Gerhaher, the German baritone with a voice to make critics weep, as he prepares to release his latest Lieder recording. Also in this issue, Andrew Mellor champions the work of Swedish composer Anders Hillborg, whose latest commission is for star soprano Renée Fleming, and Philip Clark explores the power of electronic music and its ability to shock, physically and emotionally.

Elsewhere, there are other fascinating features on John Ogdon, Peter Eötvös and Ludovic Merlot, plus a probing survey of recordings of Bach’s flute sonatas. And of course there’s our excellent reviews section which, as always, includes all the latest classical music releases. We hope you enjoy it!
read more read less

Originally published over 90 years ago in 1923, Gramophone magazine has been furnishing music fans with highly respected reviews and critical analysis spanning all genres of classical music ever since. Each issue contains highly recommended recordings of the month that you just can’t miss, with interesting and insightful features that explore the greater depth of the recordings and scores.


Whether it’s news, reviews, features or playlists, Gramophone magazine gives readers everything the world of classical music has to offer. As the ‘world’s leading authority on classical music’, you can expect to find all-revealing interviews with the biggest names in classical music alongside the celebration of iconic composers and musicians such as Mozart and Beethoven.


With a reputation founded on acclaimed critical analyses of the latest CD releases, you can expect independent and intelligent editorial with over 150 reviews in each issue. What’s more, subscribers to Gramophone magazine will also enjoy unparalleled and comprehensive coverage of upcoming performances and live events in the UK and around the world - so you’ll know what to book!  


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Articles in this issue


Below is a selection of articles in Gramophone February 2017.

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