IS THERE AN EASIER WAY TO EVEN OUT MY TOPOLOGY?

WELCOME

COVER ARTIST Claudio Amoroso SOFTWARE ZBrush, Maya, Marvelous

AURORA NOIR MECH COURTESANS VOL.2

The best digital art from the CG community

Technique focus

Incredible 3D artists take us behind their artwork

Technique focus

Incredible 3D artists take us behind their artwork

Technique focus

Incredible 3D artists take us behind their artwork

MADE WITH UNREAL

With Unreal Engine 5 on the horizon, 3D World explores the possibilities of Epic Games’ ultimate real-time tool

SLAY IT IN REAL-TIME

Edward Quintero, CEO and creative director of Mold3D Studio, takes 3D World behind the scenes of the new Unreal Engine 5 sample animation, Slay

THE BIGGER PICTURE

3D artist, Math Roodhuizen, shares the secrets of rendering a stunning environment in Unreal Engine

LE VEL UP YOUR CHARACTER DESIGN

Character artist J Hill tells 3D World how he pushed his creativity to new heights with Unreal Engine 5

THE MAKING OF DUNE

Trevor Hogg gets swept away by the creative team behind the stunning visual effects of sci-fi epic Dune

DIGITAL DOMAIN

CINEMATIC SPECTACLES ON THE SMALL SCREEN

CREATE STRIKING CHARACTER FAN ART

Lead modeller at Rainbow CGI, Claudio Amoroso, demonstrates how to create a fantastic piece of fan art, taking us through his workflow from initial sphere to final image

DESIGN A VIDEO GAME WEAPON

Get to grips with the basics of game asset creation in Cinema 4D and Substance 3D Painter

MAKE A TREASURE MAP IN GAEA

Utilise Gaea’s GeoPrimitive, LookDev and Cartography nodes to build a terrain and transform it into a game-worthy map asset

CREATE LOW-POLYGON HAND -PAINTED ASSETS

Lead artist at Climax Studios, Lance Wilkinson, demonstrates how to build weapon assets ideal for video games

HOW DO I CREATE A VALLEY TERRAIN IN INSYDIUM FUSED FOR CINEMA 4D?

Mike Griggs Mike Griggs is a digital content

HOW CAN I GET IMAGES OUT OF ZBRUSH WITH A TRANSPARENT BACKGROUND FOR PRINT?

WATCH THE VIDEO https://bit.ly/3D-world-games EXPERT TIP USE THE

HOW CAN I CREATE THE PROCEDURAL MATERIAL OF A PLANET?

Pietro Chiovaro replies Creating procedural material in Blender

Jeremy Bolz

We interview the lead production artist about his role at Liquid Development and find out how he got started in the industry

Branding reimagined with real-time graphics

Global creative company BUCK discusses how rethinking creative technology at our fingertips can solve efficiency and content quality challenges for brands

Speedrunning through development

2Awesome Studio takes us through development for Aeon Drive – from its conception to environment-building, challenges, inspiration and more

FREE RESOURCES

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