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Showrunners

The early days of Doctor Who Magazine gave us many memorable issues, but there are arguably none more valuable to researchers, historians and indeed anyone curious about the series’ first two decades than the Doctor Who Winter Special published in 1983. The issue comprised interviews with all nine of the people who had produced the show to date, from Verity Lambert through to John Nathan-Turner. All the interviews were conducted by Jeremy Bentham, a writer who at that time was regarded by many as the series’ unofficial historian. DWM evolved over the years, but that 1983 special has retained its status as a cornerstone of the collection – a prime example of How It Should Be Done.

When I took over as editor of the DWM Special Editions I decided that they should concentrate on the making of the series, while each of the concurrent bookazines would focus on a different fictional aspect of the Doctor Who universe. These behind-the-scenes Special Editions have included The Music of Doctor Who (2015), Special Effects (2016), In the Studio (2018), Costume Design (2019), Production Design (2020) and Directing Doctor Who (2021). It was inevitable that we should turn our attention to the series’ producers, although the proposition came with a few challenges. The first was deciding on the criteria. The role of producer changed when Doctor Who returned in 2005, so, in order to reflect on the contributions made by those with primary responsibility for the programme, it was clear that the title of our new Special Edition should be Showrunners. This is a term that, for the purpose of this magazine, we’ve also applied to everyone who produced the 20th-century episodes of Doctor Who.

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Doctor Who Magazine
DWM Special 63: Showrunners
IN DE WINKEL BEKIJKEN

Andere artikelen in dit nummer


Doctor Who Magazine Special
Verity Lambert
OLIVER WAKE describes the challenges facing Doctor Who’s first producer, and the achievements that helped to launch a remarkable career.
John Wiles
OLIVER WAKE argues that John Wiles’ brief, and largely unhappy, tenure as Doctor Who’s second producer may have achieved more than even Wiles himself realised.
“At heart, John was a story man”
Donald Tosh
Innes Lloyd
Drawing upon his experience with BBC Outside Broadcasts, Doctor Who’s third producer made location shooting more important than ever. But he innovated with studio recording too, as EDDIE ROBSON explains.
Peter Bryant
Although Peter Bryant produced such classics as The Tomb of the Cybermen and The Web of Fear, his tenure is often defined by its behind-the-scenes turmoil. EDDIE ROBSON wonders if history has judged him fairly.
Derrick Sherwin
Derrick Sherwin’s influence on the series went way beyond the handful of episodes that bear his producer credit. CHRIS BENTLEY traces his brief but eventful Doctor Who career.
“A very hard man and a driving force”
Derrick Sherwin
Barry Letts
EDDIE ROBSON explores the legacy of a producer who transformed Doctor Who with his creative and technical innovations.
Philip Hinchcliffe
The series enjoyed immense popularity under the guiding hand of producer Philip Hinchcliffe. However, as CHRIS BENTLEY explains, his uncompromising approach also proved controversial.
Graham Williams
Graham Williams inherited a programme that was attracting unwanted scrutiny – and then faced a multitude of problems that he couldn’t have predicted. ALISTAIR McGOWN argues that he should be remembered for the episodes that overcame those challenges.
John Nathan-Turner
When John Nathan-Turner became producer, his declared mission was to “take Doctor Who into the 80s”. As JONATHAN HELM explains, JNT ultimately influenced the way the programme would be made in the 21st century.
Philip Segal
Reviving Doctor Who was a long-held ambition for Philip Segal, who produced the 1996 TV movie. Unfortunately,tely, as PAUL HAYES explains, the stars weren’t quite in alignment
Russell T Davies
Would Doctor Who still be here without the profound influence of former, and current, showrunner Russell T Davies? EDDIE ROBSON analyses the approach that revitalised the programme for the 21st century.
Steven Moffat
It must have been daunting to assume control of such a long-running show during a peak in its popularity. However, as EDDIE ROBSON illustrates, Steven Moffat proved that there were still plenty of ways for Doctor Who to evolve.
Chris Chibnall
EDDIE ROBSON describes how the third showrunner of Doctor Who’s ‘modern era’ revolutionised the programme – and kept it going during a global pandemic.
Nine Wonders
The last time Doctor Who Magazine themed an issue around the show’s producers, it was possible to interview all nine of them. JEREMY BENTHAM reflects on a memorable assignment.
THE DWM INTERVIEW
“We were expected to fail”
Waris Hussein
“He was something of a father figure”
Frazer Hines
“He did the programme a big favour”
Shirley Cooklin
“He’s left a huge footprint in my life”
Katy Manning
“He was indomitable in his approach”
Louise Jameson
“Graham’s strength was in keeping the peace”
John Leeson
“John chose to fight the fight in a different way”
Janet Fielding
“He was the number one fan in America!”
Screenwriter MATTHEW JACOBS offers PAUL HAYES a unique insight into the making of the Doctor Who TV movie – and working alongside Philip Segal.
“We run to keep up”
Julie Gardner
“I think Steven’s a romantic”
Marcus Wilson
“He really believes in the ideals the Doctor stands for”
Sheena Bucktowonsing
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