Edge | February 2017
LITTLE NIGHTMARES
Tarsier’s brightly coloured, playfully decorated premises are exactly what you’d expect the home of a studio that’s spent the past eight years working closely with Media Molecule, on its Little Big Planet series, to look like. A hotch potch of lampshades and rugs, a familial collection of framed photos of the team, and a range of stately looking furniture, we’re given the rundown of which chairs are the most comfy during our tour, make the space feel welcoming and homely. There’s fresh fruit in the kitchen, naturally, and not a single employee appears to be wearing shoes. Underneath this small company’s friendly exterior, however, something darker has been
fermenting, waiting for an opportunity to bubble to the surface. That spectre has emerged in the form of Little Nightmares.
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