U bekijkt momenteel de Netherlands versie van de site.
Wilt u overschakelen naar uw lokale site?
25 MIN LEESTIJD

COVER FEATURE

CRUE TO THE 5TH POWER

MONSTER GUITARIST JOHN 5 DETAILS HIS ASCENSION INTO THE RANKS OF MÖTLEY CRÜE

“AS LONG AS MÖTLEY CRÜE ARE AROUND, I DON’T PLAN ON LEAVING”

EARLIER THIS YEAR, JOHN 5 WOKE UP from a dead sleep and had no idea where he was. He looked around, disoriented, blinking his bleary eyes. “Oh, my God. I’m on an airplane,” he said to himself. Still not fully awake, he scanned his surroundings some more — the massive aircraft was a chartered affair, plush and roomy. All of the other passengers were stretched out, sound asleep. Then he started to scrutinize their faces. “Who are these people?” he thought. After a few seconds, he recognized guitarist Vivian Campbell, and soon he realized that all of the members of Def Leppard were on board. Not only that, but so were Vince Neil, Tommy Lee and Nikki Sixx of Mötley Crüe.

“I started freaking out,” John 5 says. “I got up and went to the back of the plane to wake myself up.” What at first seemed like an out-ofbody experience soon became very real. The guitarist was winging his way from the U.S. to South America in spare-no-expense rock-star style as both bands, Mötley Crüe and Def Leppard, were about to begin their 2023 co-headline world tour.

But the guitarist was no mere guest on the flight; a couple of nights earlier, he had made his official debut as Mick Mars’ replacement with a pair of warm-up shows in Atlantic City. Dispensing with the elaborate costumes and horror-goth makeup he famously donned during his years as Rob Zombie’s lead axeman, John 5 adopted a stripped-down, modern Mötley look; wearing a black leather jacket and with his medium-length blond hair neatly slicked back, he resembled a badass biker as he expertly peeled off familiar riffs and solos during the Crüe’s 15-song, hit-filled show. Grinning a wide, exuberant grin, he seemed to be having a high, heady time — as if he were living out one of his wildest teenage dreams.

Which, in a very real sense, he was.

“These things are so strange to me,” he says. “I’ll be on stage with them, and I’ll be like, ‘I still can’t believe this.’ I’ll start laughing when we’re playing a song. The guys will say, ‘What’s so funny?’ And I’ll be like, ‘This is just so weird.’ We’ll play ‘Same Old Situation,’ and it’s so cool. Or we’ll play ‘Home Sweet Home’ in front of 60,000 people, and I’ll look at Vince and say, ‘This is just like the video!’” He pauses, then adds, “This is where it’s going to sound funny, because it sounds like a dream. I’m so worried that I’ll wake up and tell my wife, ‘Whoa… I had this dream that I was in Mötley Crüe.’”

MAKING THE (CRÜE) CUT

John 5 comes to the Crüe as something of a name brand. As a solo artist, he’s released a series of albums that highlighted his accomplished and inventive instrumental skills while reflecting his wildly eclectic tastes (everything from bluegrass to molten metal). During much of that time, the guitarist (born John Lowery in Grosse Pointe, Michigan) also enjoyed an enviable run as one of L.A.’s most in-demand musicians. Before his 17-year stint with Zombie, he served as a key member of Marilyn Manson’s band. In addition, he collaborated with David Lee Roth and has contributed to projects by a dizzying and diverse array of artists — Rod Stewart, Garbage, Lynyrd Skynyrd, Lita Ford, Rick Springfield, Paul Stanley, Ricky Martin, Steve Perry and Alice Cooper, among others. One of his first pro gigs after he arrived in Los Angeles was playing guitar for pop-country singer k.d. lang on her 1996-97 world tour.

“I had to put this weird contraption on my guitar — it’s called a Floyd Rose,” John 5 says. “I was a Van Halen nut, so I had Floyds, and I know everything about them”

“To me, any similarities between any of the people I’ve worked with, whether it’s k.d. lang or Mötley Crüe, it all comes down to one thing: I just love music,” John 5 says. “Ever since I was a kid, I’ve loved music. It didn’t have to be rock or a certain kind of thing. As a lot of people know, I watched Hee-Haw on TV. There were amazing players on that show. Anybody who could do anything very well — if you were good at your craft — Iwas excited about.”

Lees het volledige artikel en nog veel meer in deze uitgave van Guitar World
Hieronder aankoopopties
Als je de uitgave bezit, Inloggen om het volledige artikel nu te lezen.
Enkele digitale editie October 2023
 
€9,99 / issue
Deze editie en andere oude edities zijn niet opgenomen in een nieuwe abonnement. Abonnementen omvatten de nieuwste reguliere uitgave en nieuwe uitgaven die tijdens uw abonnement zijn uitgebracht. Guitar World
Jaarlijks digitaal abonnement €12,99 jaarlijks gefactureerd
Sla
89%
€1,08 / issue

Dit artikel komt uit...


View Issues
Guitar World
October 2023
IN DE WINKEL BEKIJKEN

Andere artikelen in dit nummer


WOODSHED
OUR CREATURE ( COVER) FEATURE
I GUESS EVERYONE out there expects me to
DEPARTMENTS
READER ART OF THE MONTH
If you’ve created a drawing, painting or sketch
DEFENDERS of the Faith
Rachel Raye “Ricki” Oien AGE: 18
Hardcore Breakdown
HOW GUITARIS TS FROM DRUG CHURCH, MILITARIE GUN AND SCOWL ARE LEADING THE MEL ODIC MOVEMENT IN HARDCORE PUNK
? INQUIRER
DAVE MASON
MY PEDALBOARD
TRACII GUNS
Jax Hollow
ON ONLY THE WILD ONES, THE NASHVILLE-VIA-MASSACHUSETTS AX-SLINGER IS HAVING A BLAST
Hurts So Good
ACCORDING TO A NEW STUDY, SHREDDING CAN MAKE YOUR WRISTS AND SHOULDERS GO OUCHIE
Melanie Faye
THE R&B GUITARIST AND PRODUCER TALKS US THROUGH HER NEW D’ANGELICO SIGNATURE MODEL, HER UNIQUE APPROACH TO NEO-SOUL GUITAR AND THE ONE CHORD SHE JUST CAN’T STOP PLAYING
Duane Betts
ON HIS SOLO DEBUT, THE ALLMAN BROTHERS-PEDIGREED GUITARIST EMERGES WITH A VISION ALL HIS OWN
In the Studio with Dirty Honey
JOHN NOTTO PREVIEWS THE HIGH-FLYING L.A. RIFF-ROCKERS’ HIGHLY ANTICIPATED SOPHOMORE ALBUM
Positive Undertones
BECAUSE WE FELT LIKE IT, WE ASKED THE UNDERTONES’ DAMIAN O’NEILL ABOUT THE NORTHERN IRISH ROCKERS’ OUT-OF-LEFT-FIELD 1981 ALBUM, POSITIVE TOUCH. THANKFULLY, HE OBLIGED US!
Marcus Machado
WHEN HENDRIX IS CHILD’S PLAY, THE ONLY PLACE TO GO IS UNCHARTED MUSICAL REALMS
That time Judas Priest’s Richie Faulkner jammed with Tool
OLLY CURTIS (FAULKNER) TRACY ANNE HART (SRV) CHANCES
Simply Orange
ORANGE OR30
One Piece
YAMAHA FG9 M
The Gold Standard
CHARVEL PRO-MOD SO-CAL STYLE 1 HSS FR E
EarthQuaker Devices Aurelius Tri-Voice Chorus
IT’S NOT ENOUGH to be solely a chorus
Believe the Hype(r)
SEYMOUR DUNCAN HYPERSWITCH
TRIPTOPHONIC
IN DEEP
TOOLS OF THE TRADE, PART 6
TALES FROM NERDVILLE
DEVELOPING THE STORY
MELODIC MUSE
SUBSTITUTE MOVES
LIVE FROM FLAT V
Performance Notes
HOW TO PLAY THIS MONTH’S SONGS
DIMARZIO SUPER DISTORTION HUMBUCKING PICKUP
CATEGORY: REPLACEMENT PICKUP
GUITAR WORLD
STEVE BARTEK
The former Oingo Boingo guitarist talks “Dead Man’s Party,” his early days with future Skynyrd guitarist Ed King, upcoming shows with Danny Elfman and a lifetime of scoring films
Stoking that Fire
In Flames reignite the death metal fire with Foregone, an album that marks ex-Megadeth master Chris Broderick’s recording debut with the band
THE GRASS IS ALWAYS BLUER
SIX BLAZING BLUEGRASS GUITARISTS YOU NEED TO KNOW ABOUT ( BESIDES BILLY STRINGS AND MOLLY TUTTLE! )
In the Eye of the Hurricane
WITH A NEW SOLO ALBUM SHAKING UP THE AIRWAVES, NITA STRAUSS DISCUSSES THE IMPORTANCE OF TAKING RISKS, STEPPING OUT OF YOUR COMFORT ZONE AND NEVER SETTLING
GUY TALK
On the eve of his farewell tour, living legend BUDDY GUY looks back on his nearly 70-year career (and a particularly unforgettable Fender Bassman amp)
WHEN SIXX MET 5
NIKKI SIXX PROVIDES HIS OWN ACCOUNT OF HOW THE RECENT CRÜE BROUHAHA WENT DOWN — AND HOW JOHN 5 ENTERED THE FOLD
THE ULTIMATE POLTERGEIST
HOW JOHN 5 DECIDED TO REVOLUTIONIZE ONE OF THE OLDEST ELECTRIC GUITAR DESIGNS FOR THIS YEAR’S EYE-CATCHING FENDER JOHN 5 GHOST TELECASTER
TRANSCRIBED
“GOSSIP”
Måneskin (featuring Tom Morello)
“JUMPIN’ JACK FLASH”
The Rolling Stones
“FEAR OF THE DAWN”
Jack White
“MOONLIGHT SONATA” (1st movement)
Ludwig van Beethoven
Chat
X
Pocketmags ondersteuning