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hi-fi+ Global Network Magazine hi-fi+ Issue 243 Vorige editie

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. The best in audio sound very close to one another compared to a few decades ago. We still have a long way to go, but the differences between Product X and Product Y in audio are not as wide as they used to be. Also, most products in audio today are pretty good. The bad old days when a mediocre product would not only sound dreadful but try to execute you with electricity are long gone. Except for a few very cheap products rarely sold in audio stores that have an alarming records of re-profiling records played on them, modern audio is at least competent, if occasionally, a bit ‘Meh!’.

All of this makes it understandable that people want to know which is ‘the one’. They want to know which is the single best of everything and AI-generated websites are keen to tell you just that, often based on nothing more than an attempt to skew sales toward their target. The world is not like Highlander, which is a shame because I think I could carry off The Kurgan look.

Like everything from a decent steak to that next car you’re thinking of buying, there are always options. And while those AI-generated influencers would like you to pick Car A or Steak B and then laugh at anyone who disagrees with them, the world is seldom that black and white.

But people keep asking ‘which is the one’.
I guess this is a positive thing. A decade or so ago, I wouldn’t be asked the question; I’d be told the answer with a veiled demand for approval; ”I’ve got a Gruntastic Enfabulator V... that’s the best, isn’t it?” It just doesn’t feel very positive in real terms. This demand to know the best implies that everything else... isn’t. And that’s not the case. Just as Fender Stratocaster is the best guitar for Strat players and a Gibson Les Paul is the best for Les Paul players, and the same applies to cameras, watches, cars, yachts, and maybe one day, space suits... it also applies to hi-fi.
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hi-fi+ Global Network

hi-fi+ Issue 243 . The best in audio sound very close to one another compared to a few decades ago. We still have a long way to go, but the differences between Product X and Product Y in audio are not as wide as they used to be. Also, most products in audio today are pretty good. The bad old days when a mediocre product would not only sound dreadful but try to execute you with electricity are long gone. Except for a few very cheap products rarely sold in audio stores that have an alarming records of re-profiling records played on them, modern audio is at least competent, if occasionally, a bit ‘Meh!’. All of this makes it understandable that people want to know which is ‘the one’. They want to know which is the single best of everything and AI-generated websites are keen to tell you just that, often based on nothing more than an attempt to skew sales toward their target. The world is not like Highlander, which is a shame because I think I could carry off The Kurgan look. Like everything from a decent steak to that next car you’re thinking of buying, there are always options. And while those AI-generated influencers would like you to pick Car A or Steak B and then laugh at anyone who disagrees with them, the world is seldom that black and white. But people keep asking ‘which is the one’. I guess this is a positive thing. A decade or so ago, I wouldn’t be asked the question; I’d be told the answer with a veiled demand for approval; ”I’ve got a Gruntastic Enfabulator V... that’s the best, isn’t it?” It just doesn’t feel very positive in real terms. This demand to know the best implies that everything else... isn’t. And that’s not the case. Just as Fender Stratocaster is the best guitar for Strat players and a Gibson Les Paul is the best for Les Paul players, and the same applies to cameras, watches, cars, yachts, and maybe one day, space suits... it also applies to hi-fi.


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. The best in audio sound very close to one another compared to a few decades ago. We still have a long way to go, but the differences between Product X and Product Y in audio are not as wide as they used to be. Also, most products in audio today are pretty good. The bad old days when a mediocre product would not only sound dreadful but try to execute you with electricity are long gone. Except for a few very cheap products rarely sold in audio stores that have an alarming records of re-profiling records played on them, modern audio is at least competent, if occasionally, a bit ‘Meh!’.

All of this makes it understandable that people want to know which is ‘the one’. They want to know which is the single best of everything and AI-generated websites are keen to tell you just that, often based on nothing more than an attempt to skew sales toward their target. The world is not like Highlander, which is a shame because I think I could carry off The Kurgan look.

Like everything from a decent steak to that next car you’re thinking of buying, there are always options. And while those AI-generated influencers would like you to pick Car A or Steak B and then laugh at anyone who disagrees with them, the world is seldom that black and white.

But people keep asking ‘which is the one’.
I guess this is a positive thing. A decade or so ago, I wouldn’t be asked the question; I’d be told the answer with a veiled demand for approval; ”I’ve got a Gruntastic Enfabulator V... that’s the best, isn’t it?” It just doesn’t feel very positive in real terms. This demand to know the best implies that everything else... isn’t. And that’s not the case. Just as Fender Stratocaster is the best guitar for Strat players and a Gibson Les Paul is the best for Les Paul players, and the same applies to cameras, watches, cars, yachts, and maybe one day, space suits... it also applies to hi-fi.
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hi-fi+ is Europe’s premier English-language high-end audio magazine. Whether it’s the latest in digital audio technology or the best turntable you’ve ever heard, hi-fi+ magazine is the ultimate audiophile authority.

Our goal is clear; to seek out the finest audio components money can buy. Music is the soundtrack to all our lives and we think that the better that soundtrack, sounds the more enriched our lives can be. A good audio system can open up new avenues of music that might surprise you. We don’t differentiate; it could be a classic valve amplifier or a state-of-the-art music server – if it sounds good, we want to know and we want to tell you about it. The difference between good sound and great sound lies in the details… and we are obsessive about detail.

We aren’t constrained by measurement or bogged down in stuffy old paradigms. We are relevant and a little bit irreverent. Hi-Fi+ features some of the best writers in the business, all passionate about making music sound as good as it possibly can. We seek out the finest audio components – and the latest and greatest music – and aren’t afraid of finding the best, whatever the cost.

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hi-fi+ Global Network

Hi Fi + has a much more friendly user interface than The Absolute Sound, which is a pain to read online. Beoordeeld op 01 april 2025

Really interesting

Very good magazine for all those fans of hi-fi information and news Beoordeeld op 09 april 2022

Hi-Fi+

Well, over the (many) years as an Audiophile, I have read (many) Audiophile magazines...My first impressions of Hi-Fi+ came from reading a printed issue (unfortunately, landed to someone who should have sent it back to me but didn't), but that issue whetted my appetite, so I paid for the digital edition. Great reviews, of important products, well-written....very satisfied. Will re-activate my subscription when it expires (in two month's time). Thanks a lot! Beoordeeld op 17 januari 2021

Hi-Fi+

Excellent magazine, well written articles, technically accurate, informative and entertaining. Beoordeeld op 17 januari 2021

Hi-Fi+

Love the magazine for its well written reviews of equipment and music. Beoordeeld op 28 september 2020

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