T
RY TO imagine what it must feel like to prepare a retrospective exhibition of your work, and the sheer difficulty of deciding on just 52 photos from more than 40 years of negatives, transparencies and digital files. Now, think about the time and expense of printing these images to exhibition standard, the cost of framing and the tedium of hanging, then pricing the works, publicising the event and organizing the guest list for the opening. As the clock ticks down to launch, the excitement and tension is palpable.
01 TUSCAN SUMMER