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The Artist
November 2023
IN DE WINKEL BEKIJKEN

Andere artikelen in dit nummer


Editorial
WELCOME from the editor
Want to comment on something you’ve read, or seen?
reader holiday
Paint with Hazel Soan at Dumfries House, scotland
A special one-off opportunity to participate in a tutored watercolour painting programme hosted by Hazel Soan at one of Britain’s finest and most exclusive Royal country estates
PLUS THIS MONTH
YOUR VIEWS
LETTERS, EMAILS AND COMMENTS
THE ART WORLD
NEWS, INFORMATION AND ONLINE EVENTS IN THE ART WORLD 
Royal Society of Marine Artists
MALL GALLERIES The Mall London SW1Y 5BD ☎
Art Courses & Holidays Showcase
Whatever your preferred medium, subject matter, skill level, or
ART BOOKS Reviewed
Poetic Woods – Experimental Watercolour and Collage Ann
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
PaintersOnline editor ’s choice
Meet this month’s editor’s choice winner from our PaintersOnline gallery
NEXT MONTH IN the artist
HIGHLIGHTS FROM THE DECEMBER ISSUE
FEATURES
Giving animals a voice
Caroline Saunders talks to Annabel Thornton whose wildlife pictures are alive with stunning colour and texture
NO PLAN? It’s time to make one
THE ARTIST’S LIFE: 11TH OF 12
PRACTICALS
Getting to know your materials
In the third of four articles on loosening up in watercolour, Tom Shepherd turns our attention to materials, mind-set and painting language
DEMONSTRATION Hornbill
This demonstration is taken from an archive video on my Online Watercolour School, and is a great example of taking everything we have explored so far and bringing it all together. I will show you how I see the subject tonally, then how I translated that into washes and brushstrokes that jigsaw together to give us an interpretation of our subject.
Ten steps to painting flowers in pastel
Paint your own floral still life with Sophie Ploeg as she shares tips and techniques for using pastel on paper
A change in the air
Grahame Booth invites us to explore the colours of autumn with a step-by-step demonstration of an allotment scene in watercolour
GRAHAME BOOTH  The colours of autumn
Grahame Booth Damp Morning, Ardess, Late October, watercolour
Window on Colonsay
Capture the textures of the landscape with Helen Hanson and discover new ways of using ink and coloured pencils
INK & Coloured Pencil HELEN HANSON
Helen Hanson Gigha Shore, ink and coloured pencil,
The forgotten medium
Explore gouache with Kevin Scully and discover its many beauties and benefits
KEVIN SCULLY Exploring GOUACHE
Kevin Scully Dawn Reflections, gouache on Saunders Waterford
THE STUDIO
Cupboard or palace, Mike Barr muses on how a studio should provide a sanctuary where magic can take place
Turning on the light
In the penultimate article in her series on capturing special effects in your paintings, Jenny Aitken demonstrates how to put the warmth into woodland light
Feeling the form
In the second article of her three-part series on drawing the human form, Adele Wagstaff focuses on directional mark-making, continuous line and contour
Nature printing
In this abridged extract from her latest book, Poetic Woods, Ann Blockley explores how to connect artwork with place using experimental watercolour and collage
Manipulating PHOTOGRAPHS
In this abridged extract from her new book, Poetic Woods: Experimental Watercolour and Collage, Ann Blockley describes how to use photographs to your advantage
Don’t forget the mid tones!
In the second article in his two-part series on counterchange, Barry Herniman stresses the important role tones play in between the lights and darks
Light and dark
In the penultimate article in his current series Steve Griggs explains how experimenting with developing motifs will help you discover new ideas and creativity
Autumn glow
Paul Talbot-Greaves relishes painting in autumn, when rich colour and low light abounds. Here he demonstrates why acrylics are the perfect medium for capturing autumnal colours
painting holiday
Painting with Peter Brown, PPNEAC, RBA, PS, ROI in KATHMANDU NEPAL
A special one-off opportunity to join ‘Pete the Street’ en plein air painting in Kathmandu and the foothills of the Himalayas, at one of the best times of the year to visit Nepal, and experience the Sonam Lhosar Festival
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