US
8 MIN READ TIME

CLASSIC POP MOMENTS

3 OCTOBER 1992

It all started so innocently. Two years on from her biggest hit, Nothing Compares 2 U, the woman born Sinéad Marie Bernadette O’Connor appeared on NBC behemoth, Saturday Night Live, to sing a soul-stirring version of Bob Marley’s War. Then, completely unrehearsed and to the shock of the show’s producers, she pulled out a picture of Pope John Paul II and, in protest at the abuse of children in the Catholic Church, ripped it up, saying, “Fight the real enemy”. According to executive producer Lorne Michaels: “The air went out of the studio”, and the applause sign was abruptly turned off, leaving O’Connor to walk off the stage in agonising silence. Condemnation was swift and wide, with that week’s host, Tim Robbins, refusing to namecheck her at the end of the episode and, the week after, actor Joe Pesci telling the audience that if it had been his show, “I would have gave her such a smack”. Madonna, too, waded in, telling the Irish Times: “I think there is a better way to present her ideas rather than ripping up an image that means a lot to other people. If she is against the Roman Catholic Church and she has a problem with them, I think she should talk about it.” Two weeks later, O’Connor was booked to perform I Believe In You at the Bob Dylan 30th Anniversary tribute concert in Madison Square Garden, arriving on stage to a cacophony of cheers and jeers. Instead of launching into the scheduled song, she began ferociously bellowing out her version of War once more, before walking off to a tidal wave of boos. Asked in 2002 whether she ever regretted the Saturday Night Live incident, an unrepentant O’Connor simply replied, “Hell, no!”

Read the complete article and many more in this issue of Classic Pop
Purchase options below
If you own the issue, Login to read the full article now.
Single Digital Issue Oct 2019
 
$5.99 / issue
This issue and other back issues are not included in a new subscription. Subscriptions include the latest regular issue and new issues released during your subscription. Classic Pop
Annual Digital Subscription $26.99 billed annually
Save
25%
$4.50 / issue
6 Month Digital Subscription $13.99 billed twice a year
Save
22%
$4.66 / issue
PRINT SUBSCRIPTION? Available at magazine.co.uk, the best magazine subscription offers online.
 

This article is from...


View Issues
Classic Pop
Oct 2019
VIEW IN STORE

Other Articles in this Issue


Classic Pop
WELCOME
57
NEWS
POP UP
Summer may only just have ended, but A-ha’s Magne Furuholmen
1-HIT WONDER
What Lincolnshire singer Graham Bonnet lacked in a
LOST & FOUND
Essex model Nick Kamen, in his pristine Sunspel boxers
Q+A TERRI NUNN
THE BERLIN SINGER TELLS PAUL KIRKLEY ABOUT REUNITING WITH HER FORMER BANDMATES AND TEASES THE GROUP’S FIRST NEW MUSIC IN 35 YEARS…
POP QUIZ
1 What was the name of Michael Hutchence’s side project
GODFATHERS OF POP DANIELE DAVOLI
As rave culture landed in 1989, this pivotal year in
IAN PEEL’S A TO Z of POP
A CHANCE TWITTER CONVERSATION HAD ME THINKING ABOUT ONE OF THE GREAT LOST FORMATS OF THE CLASSIC POP ERA. WHERE EXACTLY DID THE CASSINGLE COME FROM, WHERE DID IT GO, AND WHY DID IT LEAVE SUCH AN INDELIBLE IMPRESSION?
REGULARS
THIS MONTH IN…POP OCTOBER 1985
IN OUR ROUND-UP OF OCTOBER 1985’S BIGGEST MOMENTS IN MUSIC, A-HA GO TO NO.1, THE CURE GO TO CANADA AND SIOUXSIE’S KNEE ACTUALLY GOES… POP
TOP TEN WEEK ENDING 8 OCTOBER 1989
VIDEO LIP-SYNC TRIPLE OF BLACK BOX, TECHNOTRONIC AND
FEATURES
We were all part of a brotherhood
THEY WERE THE AUSSIE GANG WHO COULD HAVE ENDED UP AS PETROL PUMP ATTENDANTS. INSTEAD, INXS CONQUERED THE WORLD AND BECAME EMBROILED IN A SAGA OF DRUGS, GHOSTS, UNDIAGNOSED MENTAL ILLNESS, SUPERMODELS AND, ULTIMATELY, A TRAGIC DEATH. AS TWO NEW FILMS REMIND EVERYONE OF THEIR LEGACY, THE SURVIVING BAND MEMBERS AND THEIR MANAGER TELL CLASSIC POP HOW THEY BECAME NEW SENSATIONS.
CLASSIC ALBUM CONTROL JANET JACKSON
EMERGING FROM THE SHADOW OF HER BIG BROTHERS, JANET’S THIRD ALBUM SAW HER PRESENT A SET OF ANTHEMS ON WHICH SHE DISPLAYED INDEPENDENCE, STRENGTH AND SELF-WORTH. BOASTING JAM AND LEWIS’ PRISTINE, CUTTING-EDGE PRODUCTION, CONTROL ESTABLISHED MISS JACKSON AS A STAR IN HER OWN RIGHT.
FUTURE ROCK
WILDLY INVENT I VE, EXPERIMENTAL AND AHEAD OF THEIR T IME, THE FIRST THREE ULTRAVOX ALBUMS FEAR LESSLY CLEARED A T RAI L THAT OTHERS WOULD FOLLOW. FOUR OF THOSE WHO WERE THERE – JOHN FOX X, CHRIS CROSS, WARREN CANN AND ROBIN SIMON – LOOK BACK TO THE LATE 1970s. JONATHAN WRIGHT L IST ENS IN…
ISLAND LIFE
THE FIRST THREE ALBUMS
ALBUM BY ALBUM GRACE JONES
THREE D IST INCT PHASES MARK THE CAREER O F THIS MOST S INGULAR A RT IST – D ISCO, REGGAE AND DUB EXCURSIONS FOL LOWED BY A L L -OUT COMMERCIAL POP
IN THE FRAME
IN THIS EX TRACT FROM THE NEWLY- PUBL ISHED DEPECHE MODE: FAITH & DEVOTION BY IAN GIT TINS, WE TAKE UP THE STORY AS THE BAND ARE REEL ING FROM THE EXIT OF FOUNDER MEMBER VINCE CLARKE AND WELCOME ALAN WI LDER TO THE FOLD
AND THEN THERE WAS…
AT THEIR 80s PEAK, FIVE STAR LIVED THE HIGH LIFE IN A BERKSHIRE MANSION AND DROVE A FLEET OF SUPERCARS. NOW IN THE GROUP’S LATEST INCARNATION, DENISE PEARSON IS BACK FRONTING A NEW VERSION OF THE GROUP WITHOUT HER SIBLINGS. “I’M STILL HOLDING THE TORCH,” SHE TELLS DAVID BURKE
THEY CAME, THEY SAW, THEY CONQUERED
It’s an idyllic recording space in the middle of nowhere that can only be reached by boat or foot, yet the Sawmills Studio in Cornwall has attracted everyone from XTC to Oasis, who recorded their defining album, Definitely Maybe, there. Andy Jones traces the incredible history of the most unlikely hit-making studio in the UK.
FOUR FROM THE SAW
Ruth Taylor recalls the household names who have recorded iconic work at Sawmills over the years…
Classic Pope
WITH A LANDMARK LIVE SHOW BY THE CURE ABOUT TO HIT DVD, WE TALK TO ITS DIRECTOR, TIM POPE, ABOUT HIS WORK WITH THE BAND AND A WHOLE HOST OF OTHER SEMINAL ACTS. FROM BEATLES COVERS TO HOMOEROTIC WELLER ON A RIVERBANK AND S&M DWARFS, IT’S A CAREER FULL OF SURPRISES.
THE KID AND I
THE TROPICAL GANGSTER KID CREOLE? TRAVELLING SHOWMAN AUGUST DARNELL? NATIVE NEW YORKER AND FORMER ENGLISH TEACHER TOM BROWDER? THE LEADER OF KID CREOLE AND THE COCONUTS HAS MORE IDENTITIES THAN DAVID BOWIE AND IS JUST AS SUAVE. AFTER GOING THROUGH EVERY RECORD COMPANY IN TOWN, THE KID EXPLAINS WHY HE’S LEARNING FROM HIS MISTAKES TO LAUNCH HIS OWN LABEL.
REVIEWS
NEW RELEASES P80
REVIEWS
SINGLES
THE HOST OF FORGOTTEN 80s ON ABSOLUTE 80s RADIO CHECKS
NEW RELEASES
DIFFERENT BUT EXQUISITELY THE SAME, THE LILAC TIME RETURN WITH THEIR TRADEMARK BUCOLIC POP CUT THROUGH WITH MUSINGS ON A WORLD GONE MAD
REISSUES
SOUVENIR/SOUVENIR – THE SINGLES 1979-2019
BOOK & SCREEN REVIEWS
★★★★
LIVE & EVENTS
★★★★