LAST MONTH, WE covered triad and 7th-chord arpeggios, focusing on the top three strings. Here, in the conclusion of our two-part lesson, we’ll start with the lower three strings and combine those shapes with the ones we learned last month. And whereas Part 1 focused mostly on triads, we’ll now explore 7th-chord arpeggios in greater depth. As before, there will be lots of exercises and licks, plus we’ll top things off with a full-blown solo. Let’s get going!
ROOT-POSITION TRIADS ON THE BOTTOM THREE STRINGS