ALL CHANGE YET STILL THE SAME

PROG PRESENTS…

Discovering 

Ed’s Letter

Stream the Prog 147 playlist at www.spoti.fi/48Ohdnv

Bloody Well Write

Send your letters to us at: Prog, Future Publishing, 121-141 Westbourne Terrace, London, W2 6JR, or email prog@futurenet.com. Letters may be edited for length. We regret that we cannot reply to phone calls. For more comment and prog news and views, find us on facebook.com under Prog.

JANE WEAVER GOES “HEAVY MELLOW” ON HER LATEST ALBUM

IF IT’S OUT THERE, IT’S IN HERE

TEMIC

Prog-metal alumni band’s pulse-driven project forms with a little help from Mike Portnoy.

HILARY WOODS

The Irish artist evolves into a creator of totally immersive states.

HANDS OF THE HERON

British trio combine multilayered instrumentals and vocals with spellbinding results.

DIRTY SOUND MAGNET

Swiss rockers embark on a psychedelic journey with latest release.

Q & A STEVE BABB

Glass Hammer’s main maestro discusses the creation of ARISE, satisfying personal expectations and what it’s like to steer the ship after three decades.

THE PROG INTERVIEW

BRIAN AUGER

STEVE HACKETT

The ex-Genesis guitarist’s first fully-fledged concept album in decades is a dizzying, delirious box of delights.

TAKE A BOW

IQ

JONATHAN WILSON

The great and good of progressive music give us a glimpse into their prog worlds. As told to Grant Moon.

THE PROG READERS’ POLL 2023

Prog magazine is 15 years old next issue.

Through The Prog Windows

After years spent wandering the dark caves of the extreme-metal underworld, with 2003’s Damnation album, awash with that most un-metal instrument the Mellotron, Opeth emerged into the light with leader and songwriter Mikael Åkerfeldt now flying the flag of a card-carrying progressive rock fan. Ahead of the album’s 20th-anniversary reissue, Prog spoke to him about a record he says was “a normal prog-rock record, but for Opeth was completely new and unique.”

Art School Dancing

One day in 1987, Porcupine Tree founder Steven Wilson met singer-songwriter Tim Bowness. Whether or not the planets were aligned that day, you can determine for yourself, but their subsequent collaborations as No-Man would result in some extraordinary and innovative music – as you can find out on their new box set Housekeeping: The OLI Years 1990-1994

Hello, I Must Be Bowing

Experimental cellist Jo Quail has harnessed primal and spiritual elements in her latest releases, the dual EPs Invocation and Supplication. Comprising two three-song cycles and the distinctive vocals of Heilung’s Maria Franz and O.R.k’s Lorenzo Esposito Fornasari, the EPs find The Cartographer musician moving into new sonic worlds. Quail shares the story of their creation and reveals her new-found passion for the trombone.

Work To The Rhythm

Six decades into his career, Trevor Horn has finally released a third album under his own name. Echoes – Ancient & Modern finds the musician and superproducer infuse a second collection of reimagined pop songs with his magic. He discusses reworking 80s anthems with Steve Hogarth and Robert Fripp, the Yes years and why he loves nothing more than making mischief.

Sonic Odyssey

Its mood consistently dark and ominous, with songs about climate change, disinformation and the reigniting of the Cold War, Pallas’s latest album, The Messenger, is certainly far from easy listening. Only their eighth album in their 48 years, it was also – as usual – far from being a rush job.

“WE DIDN’ T SEE A FUTURE BEING IN A BAND!”

After they released 2020’s Rise Radiant into a world in facing the unknown, Caligula’s Horse began to question their existence as a band. However – despite creative uncertainty and line-up changes – the Aussie prog rockers persisted to make their heaviest and most ambitious material. Guitarist Sam Vallen tells Prog about Charcoal Grace’s black heart.

Strange Band

One of the great and most original progressive bands of the late 60s/early 70s, Family were an influence on so many groups that came along after them. Fifty-two years after its release, Prog talks to Roger Chapman and Poli Palmer about one of their best albums, Bandstand

Set The Controls…

Producer Youth talks to Prog about his new reboot of The Orb & David Gilmour’s 2010 collaboration album Metallic Spheres into Metallic Spheres In Colour – and the mouthwatering prospect of the project being performed live, super-hi-tech, which would be “the most amazing gig I could ever witness”.

Whale Tales & Circus Trails

With his first proper concept album in almost

Fantastic Voyage

Recorded while he was still the guitarist in Genesis, Steve Hackett’s debut solo album Voyage Of The Acolyte – and its commercial success – gave him a confidence he had previously lacked. Along with what he saw as winds of change blowing through Genesis, it helped him to soon make the decision to follow his group “pal” Peter Gabriel out of the band.