23 MIN READ TIME

INSIDE THE GAME BOY ADVANCE

TO ENTER A NEW MILLENNIUM, NINTENDO NEEDED A HANDHELD THAT WA S UP TO THE JOB. WE SPEAK TO GAME BOY ADVANCE DE VELOPERS PAST AND PRESENT TO FIND OUT WHY THIS PORTABLE POWERHOUSE WA S AS MUCH FUN TO MAKE GAMES FOR AS IT WA S TO PL AY GAMES ON WORDS BY NICK THORPE

Nintendo is a company known for marching to the beat of its own drum, and its early experiences with handheld consoles go a long way to proving the benefits of that approach. The Game Boy’s four shades of grey may not have dazzled like the colour graphics of the Lynx and the Game Gear, but its affordability and the appeal of Tetris ensured that it comfortably outsold both. When the Game Boy Color finally arrived in 1998, it was actually comparable to the capabilities of those old rival systems, without the hefty battery bill that came with them. Nintendo could afford to move at such a glacial pace because of an absence of serious challengers in the portable console market.

That’s not to say that Nintendo wasn’t exploring its options, though. In early 1996, rumours of Project Atlantis made the rounds in gaming magazines – a 32-bit handheld with a colour screen measuring three inches by two inches, with four buttons. Though it sounds remarkably similar to the Game Boy Advance, this prototype ultimately never made it to market because Nintendo considered it to be too bulky and powerhungry. The Game Boy Color instead succeeded the Game Boy, and work on the Game Boy Advance began soon after. While Nintendo was still firmly in command of the global handheld console market, it couldn’t necessarily afford to proceed at its previous leisurely pace due to the arrival of the WonderSwan from toy giant Bandai and SNK’s Neo Geo Pocket Color.

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Retro Gamer
Issue 258
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