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Find the complete article and many more in this issue of The Artist - February 19
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About The Artist

Enjoy developing your skills and techniques with The Artist. Written by artists and top tutors, for experienced amateur painters and aspiring professional artists, this month's issue offers stage-by-stage demonstrations, illustrated tips and techniques for drawing and painting in watercolour, pastels, acrylic, mixed media, oils and gouache. Learn new techniques for painting winter landscapes, characterful portraits, still lifes, spring flowers and animals. There's also an article encouraging you to step out of your comfort zone to paint unfamiliar subjects and an interview with Professor Christopher Orr MBE, RA revealing his approach to his unusual subject matter and working methods. Plus our marketing expert advises on how to use apps to facilitate your social media posts to help get your work noticed. And when you've completed your best work, why not enter it into our 2019 Open competition for the chance to see your work exhibited, published and win one of over 40 fantastic prizes! Full details are on pages 12 to 13 . Enjoy!

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February 19
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Other Articles in this Issue

The Artist
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The Serengeti is the largest intact ecosystem left on earth. Its true boundaries are defined not by lines on maps but by the seasonal movement of millions of wildebeest, zebras and gazelles. They circle the great grass plains and thorn thickets east of Lake Victoria, following the rain and feeding on the succession of plants it nourishes. Nowhere else can you observe the daily activities of such a variety and volume of wildlife.
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Caroline Saunders talks to Professor Chris Orr MBE RA about his complicated compositions rich in content, colour and humour
Melodie Cook, winner of The Artist Award in last year’s Pastel Society annual exhibition, talks to Susie Hodge about her large-scale pastel portraits
Susie Hodge reviews an exhibition at the Lowry Gallery in Salford that explores how and why Lowry developed his admiration for the Pre-Raphaelites
Idrew my friend the artist Arthur Neal the other day.
Check out the latest competitions to enter and make a note of important deadlines
If you want to get adventurous with watercolour, this
Meet this month’s editor’s choice winner from our PaintersOnline gallery, who receives a £50 Jackson’s Art Supplies gift voucher
One of the hardest things for an artist is to stand out from the crowd. Mark David Hatwood recommends some apps that will help your social media posts get some attention
Richard Schmid reveals the secrets of his selective method of painting and demonstrates a still life in oils
Learn how to create exciting, colourful expressive landscapes in mixed media with tips and advice from Soraya French
In this first of two articles Adele Wagstaff explores how artists have used dry media and drawing techniques to explore the structure and form of the head
Peter Brown is president of the NEAC and is fast becoming recognised as one of the UK’s leading figurative painters. Popularly known as ‘Pete the Street’ from his practice of working on location in all weathers, he has developed a vigorous en plein air style, and happily interacts with passers-by and fellow students while at work. He is best known for his detailed and atmospheric depictions of street scenes in cities in the UK and abroad. Peter has hosted previous painting holidays to Florence, Arles, Havana and Vietnam. Istanbul will be a new and perfect place for him.
Herman Pekel shares his strategies for creating beautiful clean watercolour washes
Follow Vivienne Cawson as she demonstrates how to merge delicate flowers with carefully chosen decorative backgrounds, working in watercolour with drawing media
Paul Talbot-Greaves demonstrates how to use cool and warm arrangements with complementary colour contrasts to add interest to an acrylic winter scene
When painting animals, it is very important that the eyes are ‘right’ says Ruth Buchanan. In the second of her 10-part series she discusses the different shapes and demonstrates how to paint life-like eyes
Having worked with a limited palette for a while, Paul Brown had to admit that it had its limitations. Here he shares some of the extra colours he has used with great success
Painting glass and anything transparent doesn’t need to be as intimidating as it may first appear – Maddine Insalaco demonstrates her layered approach in oils
Kevin Scully takes a fresh look at still life, and uses gouache to create some compositions from unusual viewpoints
Hester Berry demonstrates how to capture the landscape in oils, working alla-prima, and shares the details of her sketching kit
Be inspired by Jane Hope to step out of your comfort zone and paint unfamiliar subjects at different times of day – for a whole year