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February 21
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An introduction to gouache
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9 MIN READ TIME
An introduction to gouache
Sunset, North Yorkshire Moors,
gouache on Arches Not 140lb (300gsm), 6*71/2in (15*19cm)
Robert Brindley
ROBERT’S TIPS FOR USING GOUACHE
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February 21
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Other Articles in this Issue
The Artist
WELCOME from the editor
Want to comment on something you’ve read, or seen? Email me at theartistletters@tapc.co.uk or visit our website at www.painters-online.co.uk/forum
PLUS THIS MONTH
YOUR VIEWS
LETTERS, EMAILS AND COMMENTS
THE ART WORLD
NEWS, INFORMATION AND ONLINE EVENTS IN THE ART WORLD
UK Coloured Pencil Society
For the first time ever, the UK Coloured Pencil Society
21st Century COLOURS
At the age of 92, Royal Academician, Philip Sutton
ROYAL INSTITUTE of Oil Painters
The Royal Institute of Oil Painters’ 128th annual exhibition
Wyn Appleford Fundraising exhibition
An online exhibition in memory of Wyn Appleford - one
Love, Art, Loss:
The Wives of Stanley Spencer
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
ART BOOKS
I’ve always been a bit dubious about everythingand-
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT PHONE TO AVOID DISAPPOINTMENT
UK ART SHOPS
Support your specialist art retailers by purchasing your materials via mail order, during the lockdown, from the shops listed here
NEWS & OFFERS
CALL FOR ENTRIES
We are looking for the best two-dimensional works in
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PaintersOnline editor’s choice
Meet this month’s editor’s choice winner from our PaintersOnline gallery
FEATURES
Expressed with collage
Susie Hodge talks to Kate Newington, winner of The Artist Award in last year’s Society of Women Artists’ exhibition
PRACTICALS
Alla-prima portraits
Rob Wareing argues that an oil portrait produced over more than one session can still be described as alla prima if the paint remains ‘still wet and workable’ throughout
Pet portraits in monochrome
Graphite artist Kate Priestman demonstrates how to render the eye in a pet portrait and advises on the business side of working to commission
Capture a winter sunset in watercolour
Paul Talbot-Greaves demonstrates how to paint the subdued light of a winter sunset in watercolour, with advice on how to keep your colours clean
Paint a snowy landscape
Snow scenes aren’t just for Christmas, says Marie Antoniou, as she encourages you to let your imagination run riot and paint an exciting winter scene with trees and snow
Elements of the landscape
Barry Herniman begins a new four-part series in which he paints a different element of the landscape each month, starting with a moody sky in watercolour and pastel
Materials for oil painting
Alan Bickley begins a new four-part series aimed at artists who wish to develop their oil painting knowledge and skills. This month he discusses some of the popular choices of materials
Surfaces for creativity
Robert Dutton reveals his favourite painting surfaces and his methods for creating texture for unique, expressive paintings
Winsor & Newton’s Winton oils
Steve Strode tries a range of new colours from a well-established, value-for-money Student range of oils
How to paint hair
Ann Witheridge continues her series by showing you how the way you paint hair can help to enhance the characterisation of your sitter
The order of painting
In his last article of the series, Nicholas Poullis explores the order of painting a watercolour with a demonstration of a light-filled scene
How to use social media to make a name for yourself
We begin a new series of articles by Marine Costello who shares her knowledge on how to build a successful career as an artist in our digital world
CASE STUDY
Faye Bridgwater
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