General Interest

The Critic Magazine

10 issues per year   |  English
18 Reviews   •  English   •   General Interest (News & Current Affairs)
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Packed with challenging ideas, diversions and thoughtful reflections, The Critic pushes back against a self-regarding and troubling consensus that finds critical voices triggering, insensitive and disrespectful. Each issue carefully examines the world of politics, art, literature and ideas, and is designed for open-minded readers who appreciate honest criticism and a variety of intellectually stimulating material.


The Critic highlights that the point of honest criticism is to better approach the truth, not deny its possibility. Therefore, each issue aims to unpack political and cultural debates, diversions, opinions, and today’s current affairs in an earnest, honest and playful way.


Join a community of open-minded readers, stimulate your intellect and challenge your ideas with a digital subscription to The Critic. Get every single issue delivered directly to your device.

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The Critic

April 2025 The April issue of The Critic features a Spring Music Special: Alexandra Wilson sets out a plan to rescue university music departments, Robert Thicknesse admires Handel’s “song-and-dance” contemporaries, Norman Lebrecht doubts arts centres have a future, Paul Lay bemoans Radio 3’s loss of authority, and Haydn Middleton is still crazy after all these years for Paul Simon. Also, John Self admires David Lodge’s highbrow contribution to lowbrow farces, Yuan Yi Zhu enters the “two tier justice” row, John Wilson Foster questions Ireland’s occupation of the moral high ground, Toby Young argues football doesn’t need a regulator, Ellen Pasternack tries to find an affordable London flat-share, and Stephen Bayley is charmed by Sixties Chelsea’s great design survivor, George Ciancimino.


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The Critic issue April 2025

The Critic  |  April 2025  


The April issue of The Critic features a Spring Music Special: Alexandra Wilson sets out a plan to rescue university music departments, Robert Thicknesse admires Handel’s “song-and-dance” contemporaries, Norman Lebrecht doubts arts centres have a future, Paul Lay bemoans Radio 3’s loss of authority, and Haydn Middleton is still crazy after all these years for Paul Simon.

Also, John Self admires David Lodge’s highbrow contribution to lowbrow farces, Yuan Yi Zhu enters the “two tier justice” row, John Wilson Foster questions Ireland’s occupation of the moral high ground, Toby Young argues football doesn’t need a regulator, Ellen Pasternack tries to find an affordable London flat-share, and Stephen Bayley is charmed by Sixties Chelsea’s great design survivor, George Ciancimino.
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