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WARCHAL VIOLIN STRINGS SET THE BEAST

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The Strad
Contributors
This month's writers for The Strad
SOUNDPOST
Letters, emails, online comments
CHECKLIST
Get your search under way
INSPIRED TO SUCCEED
Details of some top teachers and where you can study with them
COURSE LISTINGS
Courses around the world
Arieta Liatsi, violin
Universität Mozarteum Salzburg, Austria
Kirsten Wilbrandt Kjær, viola
Royal Danish Academy of Music, Frederiksberg, Denmark
Tomos Christie, cello
New Zealand School of Music, Wellington, New Zealand
Guilherme Lourenço Reis, violin
Academia Nacional Superior de Orquestra, Lisbon, Portugal
Marcelo Rodrigues, double bass
Royal Northern College of Music, Manchester, UK (page 38)
Natalia Vilchis, cello
Peabody Conservatory of The Johns Hopkins University, Baltimore, MD, US
Editorial
Editor's letter
By Emma Baker
FRONT
Cancel culture
News and events from around the world
COMPETITIONS
Awards news from around the world
Fit for a star
The latest items for string players
Life lessons
Roberto Díaz, president of the Curtis Institute of Music, gives his thoughts
ON BEING A ‘BOWIST’
Should violinists – and indeed other string players – be properly called ‘bowists’?
In a new light
The Tertis and Aronowitz International Viola Competitions
On the beat
On the edge
Premiere of the Month
FEATURES
A TIME OF CHANGE
The US violinist has just released Milestones, an album of works with particularly personal meaning to him. He tells Rita Fernandes how it all came about
LEADING THE WAY
Florian Leonhard examines one of the lesser-known violins by the great luthier and explores the life of its namesake, the collector Frédéric Émile d’Erlanger
A musical polymath
One of the best-known Romanian composers, he was also an accomplished violinist, pianist, conductor and pedagogue. Tully Potter looks back at his career
THE POWER OF THREE
Jacqueline Vanasse speaks to members of the Goldberg, Arnold, Pasquier and Boccherini trios to discover what makes this musical form unique
A CELLIST AT THE OPERA
US cellist Zlatomir Fung talks to Peter Quantrill about his new album based around operatic works by Janá?ek, Wagner, Tchaikovsky and more
HARD and FAST RULES
From density to stiffness, there are myriad variables that luthiers need to take into account. Jiri Povolny presents a guide to finding the best spruce for the job
REGULARS
CARLO ANTONIO TESTORE
Sean Bishop examines a 1753 viola by Carlo Antonio Testore
Replacement of pearl eyes in a bow
Bow maker Sarah Bystrom gives her method for making pearl eyes
WAI YONG THAM
Wai Yong Tham of Singapore
Signs of the times
Interpreting the various symbols on 19th-century French bows
MOZART VIOLIN CONCERTO NO.4 IN D MAJOR, FIRST MOVEMENT
Tobias Feldmann on the first movement of Mozart’s Violin Concerto no.4
The art of emoting
US violinist Charles Castleman hands on tips about bow distribution
CONCERTS
A critical round-up of performances
RECORDINGS
The latest physical and digital recordings
BOOKS
Publications of interest to the string music world
From the ARCHIVE
From May 1925
ALINA IBRAGIMOVA
Alina Ibragimova reveals her love for Schumann’s Violin Sonata no.2
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