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Online-only competitions have become ubiquitous in the past year, and competitors have had to adjust quickly to this new way of assessment. Where does the future lie?

News and events from around the world this month

Read all the breaking news in the string world online www.thestrad.com

Yuchen Lu performs in the online final of the 2021 Klein Competition

As the Delta variant of coronavirus surges across the world, travel restrictions and local epidemiological situations are forcing some international string competitions to go ahead fully or partly online. In this second year of digital editions, are elements of best practice emerging? And what lessons can jurors, participants and organisers take from the virtual experience?

Going fully online can open up international access to a competition for both applicants and audiences. Such was the experience of this year’s Irving M. Klein International String Competition, run by the California Music Center (CMC) in San Francisco. CMC executive director Marcy Straw says that 2021 was a record-breaking year for the contest, with 128 applications from 16 countries.

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The Strad
September 2021
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Other Articles in this Issue


In This Issue
Editorís letter
ANGELA LYONS S ince Japanese violinist and pedagogue
Contributors
PABLO ALFARO (Trade Secrets, page 82), originally from
SOUNDPOST
NEW DISCOVERIES
LETTER of the MONTH I am astonished.
ONLINE OR OFF?
Last year my pupil numbers took a drastic
COMPETING INTERESTS
I’ve often heard from disgruntled students, after they’ve
SUSTAINABLE SOUNDS
I second the request of Brendon Mezzetti (Soundpost,
ONLINE COMMENT
Arseniy Strokovskiy’s complaint that the Ysaÿe competition jury
FRONT
NEWS IN BRIEF
Philharmonie de Paris announces lutherie competition bit.ly/2Ter3xc
OBITUARIES
ALLAN STEPHENSON South African cellist, conductor and composer
Force of nature
PREMIERE of the MONTH
COMPETITIONS
1 Eva Rabchevska RABCHEVSKA PHOTO MARTÍNEZ DE ALBORNOZ.
Signs of recovery
The June auctions in the UK capital brought together a number of interesting bows and instruments, with signs that the market is on the up and up, writes Kevin MacDonald
Gut reaction
VIOLIN STRINGS
IN SAFE HANDS
Cremonese case manufacturer Musafia has designed a fourth
ALL IN ONE
The Revoluthier ‘Basic’ violin workstation from Hubert Lutherie
Life lessons
The Latvian violinist recalls growing up in a musical family, and stresses the importance of hard work
MAKE ’EM LAUGH
Humour can be a useful tool when teaching – especially online, argues Naomi Yandell
FEATURES
Every child can
Since Japanese violinist Shinichi Suzuki founded his method of bowed string tuition in 1945, it has been adopted and embraced by countries around the world. Samara Ginsberg talks to teachers and students, past and present, about their experiences of Suzuki teaching and its enduring popularity
‘Every tone has a living soul’ – Shinichi Suzuki
Suzuki’s study of violin tone was his lifetime’s work. Here violinist and teacher Helen Brunner shares personal reminiscences of working with him
BAROQUE REVOLUTION
Historically informed performance requires no secret code, argues Baroque violin professor Walter S. Reiter. The information is out there for the taking, and modern music colleges need to get ahead of the game
The art… of deception?
Making a new instrument look old is a painstaking craft that requires skill, patience and imagination. But why do luthiers spend their time creating an unreal effect? Peter Somerford speaks to both advocates and critics of the process
CLASSICAL CRUSADER
French cellist Christian-Pierre La Marca’s Wonderful World recording project highlights the environmental challenges facing humanity – and musicians really can make a difference, he tells Tom Stewart
INTELLIGENT DESIGN
The science of violin acoustics has encompassed 3D scanning, CNC technology and good old-fashioned tap tones – so why not AI software? Sebastian Gonzalez presents the results of a project that could help predict an instrument’s tone qualities even before it’s made
THE UNSUNG HERO
The Soviet cellist Daniil Shafran was a unique performer with a highly individual technique and sense of interpretation. He deserves to be recognised as one of the 20th century’s great instrumentalists, writes Oskar Falta
SIZE DOES MATTER
Viola players everywhere know the difficulty in finding the perfect instrument – but how many realise the differences that size, shape and weight can make to playability and tone? William Castle gives a step-by-step guide to finding the one that’s right for you
REGULARS
ANATOLY LEMAN
IN FOCUS A close look at the work
Varnish crackle effects
An easy approach to varnish crackle and faux crackle techniques that could be applied to restoration and antiquing
MY SPACE
A peek into lutherie workshops around the world
Historically informed?
Are the gut strings used in HIP really true to those used by 18th- and 19th-century players? Kai Köpp examines the technical reasons why today’s strings might sound quite different from their predecessors
HAYDN CELLO CONCERTO IN D MAJOR
MASTERCLASS
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TECHNIQUE
Reviews
Your monthly critical round-up of performances, recordings and publications
THIS MONTH’S RECOMMENDED RECORDINGS
Our pick of the new releases
RECORDINGS
BACH Sonatas and Partitas for solo violin BWV1001–1006
BOOKS
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