That title track sure makes a splash.
WARNER BROS, PARLOPHONE, SACRED BONES.
It’s simple to work the numbers,” says Donald O’Connor’s Cosmo, briskly nailing the appeal of Gene Kelly and Stanley Donen’s 70-yearsyoung musical. Singin’ In The Rain (1952) used (mostly) old songs and put its leads through various wringers. But its (rain)makers somehow made it all look and sound – whatever the weather – gloriously, seamlessly fresh and easy.