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Choir & Organ Magazine FREE Sample Issue Special Issue

English
33 Reviews   •  English   •   Music (Classical)
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The construction of a state-of-the-art concert hall has been a key factor in converting the Polish city of Katowice from a mining community to a cultural hub. And centre-stage – literally – is a stunning new five-manual instrument from Škrabl organ builders. In the July/August issue of Choir & Organ, we discover how it stands up to the hype.

Plus, in the centenary year of Hungarian composer György Ligeti, David Wordsworth surveys his choral works and asserts there is much more to his music than ticking metronomes and 2001: A Space Odyssey; William Hunt, artistic director of the In Chains of Gold recordings, argues that the verse anthems of pre-Restoration England yield many riches still to be explored, and that the way in which they are performed should also be reassessed; James B. Wilson introduces his new work for unaccompanied mixed voices, Last words of those long dead, commissioned by Choir & Organ in partnership with King's College London and supported by PRS for Music; and our International Directory of Pipe Organ Builders.
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Choir & Organ

FREE Sample Issue The construction of a state-of-the-art concert hall has been a key factor in converting the Polish city of Katowice from a mining community to a cultural hub. And centre-stage – literally – is a stunning new five-manual instrument from Škrabl organ builders. In the July/August issue of Choir & Organ, we discover how it stands up to the hype. Plus, in the centenary year of Hungarian composer György Ligeti, David Wordsworth surveys his choral works and asserts there is much more to his music than ticking metronomes and 2001: A Space Odyssey; William Hunt, artistic director of the In Chains of Gold recordings, argues that the verse anthems of pre-Restoration England yield many riches still to be explored, and that the way in which they are performed should also be reassessed; James B. Wilson introduces his new work for unaccompanied mixed voices, Last words of those long dead, commissioned by Choir & Organ in partnership with King's College London and supported by PRS for Music; and our International Directory of Pipe Organ Builders.


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The construction of a state-of-the-art concert hall has been a key factor in converting the Polish city of Katowice from a mining community to a cultural hub. And centre-stage – literally – is a stunning new five-manual instrument from Škrabl organ builders. In the July/August issue of Choir & Organ, we discover how it stands up to the hype.

Plus, in the centenary year of Hungarian composer György Ligeti, David Wordsworth surveys his choral works and asserts there is much more to his music than ticking metronomes and 2001: A Space Odyssey; William Hunt, artistic director of the In Chains of Gold recordings, argues that the verse anthems of pre-Restoration England yield many riches still to be explored, and that the way in which they are performed should also be reassessed; James B. Wilson introduces his new work for unaccompanied mixed voices, Last words of those long dead, commissioned by Choir & Organ in partnership with King's College London and supported by PRS for Music; and our International Directory of Pipe Organ Builders.
read more read less
The leading international voice of the choral and organ worlds. Choir & Organ brings you essential news and previews, topical features on new and restored instruments, and in-depth interviews with choirs, choral conductors and composers.

Choir & Organ is a must-read wherever you live and work, whether you are an organist, choral director or singer, organ builder, keen listener, or work in publishing or the record industry.

Choir & Organ brings you:

• Insights into the lives and views of leading organists, choral directors and composers.
• Beautifully illustrated features on newly built and restored organs.
• A young composer new work commission in every issue, with the score freely available

Choir & Organ is published by Rhinegold Publishing Ltd

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Choir & Organ

Thank you for the good job! Go on!!! Reviewed 23 February 2020

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