CA
  
You are currently viewing the Canada version of the site.
Would you like to switch to your local site?
6 MIN READ TIME

Inspiration

Composition

Part 3 Andy Walker discusses the value of using thirds, fifths and rabatment in your paintings

Learning objectives

■ What are the rules of thirds, fifths and rabatment

■ How to create a strong composition

If you have been painting for any time at all I am sure you will have come across at least one of the compositional tools I will be discussing in this article – the ‘rule of thirds’. This is a handy way of deciding where to place objects in your painting, especially the focal point. As a rule, it is not a good idea to place your focal point slap bang in the centre of your painting, but we must be aware of this, as there is a natural tendency to do so. As artists we need to be conscious of how we construct our pictures, and this is where the ‘rule of thirds’ comes in.

Our tools

The way we compose our pictures should ideally be hidden from the viewer, but without the following compositional techniques, we risk making paintings that do not quite hit the mark. The underlying composition is like the hidden bones in our bodies; without a skeleton we have no form. It is this structure that gives us shape.

Read the complete article and many more in this issue of Leisure Painter & The Artist
Purchase options below
If you own the issue, Login to read the full article now.
Single Digital Issue August 2023
 
$8.49 / issue
This issue and other back issues are not included in a new subscription. Subscriptions include the latest regular issue and new issues released during your subscription. Leisure Painter & The Artist
Annual Digital Subscription $84.99 billed annually
Save
36%
$7.08 / issue
Monthly Digital Subscription $9.99 billed monthly
Save
9%
$9.99 / issue
PRINT SUBSCRIPTION? Available at magazine.co.uk, the best magazine subscription offers online.
 

This article is from...


View Issues
Leisure Painter & The Artist
August 2023
VIEW IN STORE

Other Articles in this Issue


Editorial
Welcome
David Bellamy kicks off this month’s issue with
IN EVERY ISSUE
Letters
SHARE YOUR TIPS, EXPERIENCES, ARTWORK AND QUESTIONS WITH OTHER READERS
Diary
THINGS TO DO THIS MONTH
Exhibitions
JANE STROUD RECOMMENDS
Art clubs
OVER TO YOU FOR THE LATEST NEWS ON CLUB EXHIBITIONS AND ACTIVITIES
Books
WHAT TO READ THIS MONTH
Online gallery
Jane Stroud’s selection of works from the Painters Online gallery
Leisure Painter
PAINTING COMPETITION
Enter your own original summer landscape painting, in any medium, for the chance to win
Coming next month
From colourful flowers, landscapes and holiday scenes to portraits, illustrated journals and more, the September issue of Leisure Painter offers all the practical advice, inspiration, demonstrations and exercises you’ll need for the month ahead
FEATURES
A family history
Part 1 David Bellamy discusses how he created an illustrated history of his grandfather’s exploits to inspire you to initiate your own illustrated journals
Painting project
Part 1 Paul Clark uses a photograph of Scotney Castle as inspiration for his two-part project from a photograph. This month, be inspired by line and wash
A tapestry of wildflowers
Follow Rachel McNaughton step by step as you paint flowers on a loose wet-in-wet background
Painting project
Part 2 Follow the late Murray Ince step by step as he paints a sunny woodland scene and gently cascading water using gouache
Rosa Gallery Watercolours
Tim Fisher puts an exciting new range of watercolour through its paces to produce vibrant paintings using an array of techniques
Step into the landscape
Part 2 How to make the most of contrasting tonal values to paint successful landscapes, by DJ
Develop your skills
Part 1 Using transport and vehicles as the theme, Tim O’Brien demonstrates how to draw ellipses accurately
Nature in close up
Loosen up and have fun painting a colourful ladybird on a natural wet-in-wet background, with Kerry Bennett
Studies in nature
More images from Kerry Bennett’s gallery
Explore, develop, paint
Part 8 Capture light and playful dolphins in an underwater scene using a variety of acrylic techniques and a limited palette, by Elena Parashko
Step-by-step dolphin
In this exclusive digital extra, Elena Parashko demonstrates how to paint a dolphin in detail
A considered approach
Part 1 Preparation is key to watercolour painting from photographs. Over the next two issues, Richard G Green demonstrates how to tackle a subject, from thumbnails and tonal sketches to your final brushstroke
The essential sketchbook
Part 1 Brian Smith begins his series on working with your sketchbook with a look at what can be achieved with simple pencil lines and tone
On the edge
Painting knifes allow you to create a vast range of painting styles. Follow Tim Fisher step by step to paint a bright and cheerful scene of beach huts using only painting knives
DIGITAL EXCLUSIVE
The essential sketchbook
More images from Brian Smith’s sketchbook
Chat
X
Pocketmags Support