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June 2021
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Dramatic forms and gentle reflections
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9 MIN READ TIME
ACRYLICS
Dramatic forms and gentle reflections
Be inspired by Judith Yates as she demonstrates how she creates her impressionistic landscapes in acrylic with layers of texture and glazes
MATERIALS
• Brushes: Daler-Rowney System 3 1in, 3/4in and 1/2in flats, Graduate rigger
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This article is from...
The Artist
June 2021
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Other Articles in this Issue
In This Issue
WELCOME from the editor
Publishing Editor Want to comment on something you’ve
Next month in
FEATURES IN CONVERSATION Royal Academician Olwyn Bowey discusses
HOW TO ENTER
The competition is open to artists worldwide. Two-dimensional
UK ART SHOPS
Support your specialist art retailers by purchasing your materials via mail order, during the lockdown, from the shops listed here
ART BOX
Art products to help you develop your skills
PaintersOnline editor’s choice
Meet this month’s editor ’s choice winner from our PaintersOnline gallery
PLUS THIS MONTH
STAR LETTER
Perspective explained
Alternative support for oil pastels
It was pleasing to read Robert Dutton's article
Lifeline
I had been buying The Artist for a
First steps to success
Congratulations Barbara Kozyra (The Artist Your Views, April
TURNER’S Modern World
NEWS, INFORMATION AND ONLINE EVENTS IN THE ART
PaintersOnline webinars
Grahame Booth Watercolour artist and tutor, Grahame Booth
Grayson Perry: The Pre-Therapy Years
Grayson Perry Cocktail Party, 1989 at York Art
The Artist's 90th Anniversary CHALLENGE
Emma Price Floating World, pen and wash, 11½38in
ARTClubs
Learning by Zoom
A celebration of trees
Carol Cox Winter Tree, watercolour, 11¾39in (30323cm) at
Reframing Narratives: WOMEN in portraiture
NATIONAL PORTRAIT GALLERY in partnership with CHANEL
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT PHONE TO AVOID DISAPPOINTMENT
FEATURES
Bold and wild
Collette Clegg, winner of The Artist Award in the 2020 David Shepherd Wildlife Foundation Wildlife Artist of the Year Competition talks to Susie Hodge about her approach to painting
The colour of shadows
Mike Barr explains why the colours of shadows are rarely just darker versions of the areas not in shadow – something that the Impressionists used to great effect
DAILY SKETCHING
In the first of a new series Sarah Edmonds looks at the discipline of keeping a sketchbook and why it’s an important ritual
Funding your practice
Penny Harris looks at what funding is available to artists, and how to apply for it
Art collecting in a time of coronavirus –
Sally Middleton offers a personal view
PRACTICALS
A portrait of love
Follow how Francesco Fontana painted the portrait of a grandmother and her granddaughter as part of a series of watercolour paintings on the theme of relationships
Keeping it fresh
As Helen Tarr demonstrates, careful preparation and pre-mixing the colours are the keys to creating a lively painting of roses in oils
Better design
Paul Talbot-Greaves’ new series unlocks the secrets behind creating better paintings. This month he discusses the importance of good design as he demonstrates how to plan a watercolour landscape
A brilliant combination
Liquid acrylics make a great base for coloured pencil work, as Liz Seward shows with a lively spring landscape
Acrylics, watercolour style
Acrylics can be diluted and used just like watercolour says Amanda Hyatt as she demonstrates an interior scene and shares her top ten tips to get you started
Add water to your landscape
Follow Sarah Manolescue as she demonstrates a plein-air landscape of a riverside scene in oil, with details of her outdoor painting kit
Paint a still life in oil
Adele Wagstaff completes the transition from drawing into painting using information gained from her previous studies and explains how to mix colours from a limited palette to paint a still life in oil
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