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This article is from...
Uncut
June 2023
VIEW IN STORE
Other Articles in this Issue
In This Issue
“There’s good riots and bad riots. We had good riots…”
Eighty-four years young in June, the indefatigable IAN HUNTER is about to release the first of two new albums. A star-studded affair – including Jeff Beck’s final studio performance – it demonstrates how brightly the “true spirit of rock’n’roll” still burns within the former MOTT THE HOOPLE frontman. Not bad going, then, for a career that’s taken him from Shropshire factories to Hamburg’s Star-Club, limos with David Bowie and beyond. “Half a century!” he tells Tom Pinnock. “I’d have thought six months…”
Hunter’s spoils
The best of his solo work
Culture Clash
Hunter on punk, The Clash and Bowie’s stolen mics
SONGS OF EXPERIENCE
Escaping tragedy in her home country and beyond, Malian superstar FATOUMATA DIAWARA has found respite reimagining her proud musical heritage in dynamic new ways. But with a new album,this inventive serial collaborator is going deeper than ever. “Music is like a guard to defend myself,” she tells Nick Hasted
BUYER’S GUIDE
FATOU (WORLD CIRCUIT, 2011) Taped in London and
Visions of the country
A steel-string guitarist turned electrifying bandleader, CIAN NUGENT has spent seven long years fashioning his latest album of expansive psychedelic folk-rock. At his studio on the edge of Dublin Bay, this restless spirit reveals the source of his ever forward momentum. “It took me a while to feel like I had anything to say,” Sam Richards discovers. “Or any right to say it…”
“I got carried away with a sense of Old Europe”
How Nugent’s song “Empress” was inspired by a murdered monarch and psychoactive mould
TIME LINE
February 1982 The Wild Swans release “Revolutionary Spirit”
SONGS FROM HER ROCK’N’ ROLL HEART
Collaborators name their favourite Lucinda Williams song
GEORGE AND JIM
Four classic Keltner and Harrison recordings
DIG LOVE
Keltner on green-fingered George
FEEDBACK
Elvis Costello with the Attractions: taller than expected
UNCUT
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Instant Karma!
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Strips of your ’toon
“Ifound the results very moving”: Robert Forster endorsesthenew Go-Betweens comic book
“We were outrageous”
Adele Bertei looks back on her time with The Contortions, queer punk-funkers The Bloods, and buying socks for Brian Eno
A QUICK ONE
Fahren,fahren,fahren! The latest Deluxe Ultimate MusicGuide isa 148-pagecelebration
He’s the One
A star in West Africa four decades ago, Peter One is finally making his comeback, in Nashville
Modern Cosmology
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Happy 90th birthday, Willie Nelson! Over the page, friends and collaborators including Steve Earle, Daniel Lanois and Margo Price salute an indefatigable icon
ON THE ROAD AGAIN
Even at 90, Willie ain’t slowing down.This year he’s got a full calendar of events, including…
Natalie Merchant
The voice of America’s conscience talks Greek myths, pickled vegetables and why you shouldn’t disturb her when she’s writing lyrics: “I’m like an angry animal!”
New Albums
SHIRLEY COLLINS Archangel Hill DOMINO
THE UNCUT GUIDE TO THIS MONTH’S KEY RELEASES
SLOWLY BUT SHIRLEY
Three landmarks from the Collins back catalogue
Q&A
“I don’t have to worry about anything now, except my voice”
GRAHAM NASH
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HANNAH JADAGU
The Texan on her debut’s journey from phone to studio
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Jim Ghedi & Toby Hay: “We met each other at a pivotal time”
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Craven Faults: “The music feels like it’s constantly in flux”
NASHVILLE AMBIENT ENSEMBLE
Michael Hixon a “loosely knit rotating cast of friends”
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Three years ago, a stroke left medical professionals wondering whether LUCINDA WILLIAMS would ever walk again. With dogged resilience, however, she returns this spring with her long-awaited memoir and her 16th album – whose guests include Bruce Springsteen, Margo Price and Angel Olsen. Stephen Troussé meets a great American original and finds out how making peace with the past gave her the strength to recover and return with her strongest album in years.
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George Harrison
Let It Roll
To mark the 50th anniversary of GEORGE HARRISON’s mysterious and magnificent second solo album, Living In The Material World, his great friend and go-to drummer JIM KELTNER recalls their first meeting in 1971 and how they came to make the record, the first of numerous auspicious collaborations. Their “brotherly” relationship continued for a further 30 years – in good times and more challenging ones – cemented in friendship, laughter, truth and music. “He always spoke about the conflict in his life,” says Keltner. “It was apparent when you knew him, you could see it. George had the beautiful ability to put it into his songs.”
The National
THE TIES THAT BIND
Trouble, it seems, finally found THE NATIONAL. Existential bouts of writer’s block, insecurity and depression – exacerbated during the darkest days of the pandemic – called into question the band’s very future. Could they overcome their anxieties and find new ways to reconnect with each other? Would their often tense relationships survive? With a brilliant new album due for release this month, they tell Laura Barton, “Sometimes this intensely intimate relationship feels like a riddle that nobody can solve.”
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The three records that get us to …Frankenstein
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THE UNCUT REVIEW 4AD 8/10 A turbulent tale
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Decoding the sleeve artwork for First Two Pages Of Frankenstein
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