> Over the first two instalments of the cm Guide to Easy Strings, we’ve been focussing on all things strings. A mass of fiddle-centric terminology and string-related jargon from col legno to spiccato has been unveiled and demystified, we’ve examined the lineups of typical string sections, had a detailed look at some of the better string sample libraries available today and broken down ways in which they can be used to add a touch of class to your own productions. In this, the third and final part of our expansive guide to programming realistic string parts with sample libraries in your DAW, we look at how to create a cinematic string arrangement from scratch using a single plugin, how to use a sample library to replicate convincing-sounding vintage string samples that sound as if they were lifted from dusty old vinyl records, how to mix sampled string arrangements to sound authentic, plus a bow-nus (groan) random bunch of general hints and tips to make it easier to get an authentic-sounding virtual string section sawing away on your tunes. So let’s rosin up our virtual bows, give our digital tuning pegs a final tweak and dive into part 3 of the cm Guide to Easy Strings.
Creating cinematic arrangements with Spitfire Audio’s Hans Zimmer Strings
As you might imagine from the presence of the prolific film composer’s name in the product title, Spitfire Audio’s Hans Zimmer Strings is a library that’s been specifically designed for the purpose of creating cinematic soundtracks, with the emphasis on epic. Up to an astonishing 60 players were recorded for each instrument and technique, the idea being that the finished product can be used to create soundscapes that wouldn’t normally be achievable in a real world recording scenario. Because each articulation features either 20, 24 or 60 players per note, holding down two notes, for instance, recreates the effect of up to 120 musicians playing simultaneously. As this takes us to the brink of the realms of fantasy, in contrast with trying to authentically recreate the sound of a specific number of players in a small section, conventional orchestral programming guidelines tend to become somewhat blurry – why not combine the 1st and 2nd violins into one part, for instance? This approach enables you to quickly achieve sonic massiveness with relatively few tracks in your DAW. There are a dizzying array of articulations, effects and techniques on offer, so let’s roll up our sleeves and dive in!
> Step by step
1. Cinematic arrangements with Hans Zimmer Strings
1 > With an initial tempo of 90bpm, we load up Hans Zimmer Strings and start our piece with a low octave part on the cello playing an articulation called ‘Tremolo CS Pont Waves’, which means tremolo playing near the instrument’s bridge. Because this is a sample of 60 players all playing at once, it sounds instantly epic. We continue this effect over the first four bars.