As any regular to our synth tutorials will know, ZebraCM (our chosen steed for the Synth Masterclass, available in the CM Plugin Suite) is no slouch in the sonics department, despite being a relative freebie. One of its biggest strengths lies in its chameleon-like flexibility, seemingly able to glide from the most basic subtractive patch, to some seriously capable modulation duties.
This is where we’re taking our Zebra today, with the use of two LFOs, to apply different forms of modulation to different aspects of the patch. Firstly, we’ll use the LFO in its User waveform mode, which allows us to generate modulating sequences, up to 32 steps in length.
While not unique to ZebraCM, it’s not a function you find on many softsynths, even paid-for ones.
Secondly, we’ll exaggerate each modulating step, by introducing gating to the amplifier section, creating a form of gated synth effect. Arguably, the front-end of our patch is relatively basic, being reliant on a single oscillator and low-pass filter, but it proves the point that modulation can completely transform the most basic construct, from simple to complex.
The net result is a patch that might normally be created using effects plugins, but we’re applying these intrinsic elements at source, avoiding the need to spend money. That’s got to be a good thing?
Dave Gale
Dave Gale is an Emmy award-winning media composer, producer and orchestrator, with an enormous passion for synthesisers, in all their forms. His varied composing style embraces everything from full orchestral and hybrid scoring, to fully electronic scores, employing synths wherever possible. He also happens to own some of the finest synths in existence but we’re not jealous, OK?