No. /3
Glenda (Nia Roberts) prepares the rather unconventional meal for her dinner party;
ALL IS NOT well at the family dinner table in Lee Haven Jones’ metaphorical horror debut The Feast. The Welsh-language horror film culminates in a sumptuous culinary extravaganza at a chic country home that consists of severed limbs, butchered animal carcasses and, in one instance, a clump of human hair. “I’m from a theatrical background, and this film is like a Chekhov play on acid,” explains Jones. “And a dinner party is an intimate affair, so that’s where the inspiration for the food came from. It’s the vehicle for the story.”