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Digital Subscriptions > Long Live Vinyl > Sep-18 > TOP GEAR


They’ve established a catalogue of stellar archive jazz recordings and contemporary releases, built a reputation for faultless vinyl remastering and even released their own turntable. Mike Gerber meets Darrel Sheinman, the man behind the Gearbox label


You’ve thrived as a trader in London’s financial sector, then established a successful maritime security business… so, what do you do next? What Darrel Sheinman did, in 2009, was found a record label dedicated to producing quality audiophile vinyl.

Initially, it was something of a hobby for an audio enthusiast who in his downtime played drums, mainly in funk combos: “Because I played drums, I used to do my own recordings using cassette machines, overdubs, and playing along to one until the degradation got bad,” Sheinman tells us. “I’ve always had a fascination with tape. My dad had a reel-to-reel machine I used to play with and splice with when I was a kid.”

It was while attending an N.E.R.D gig that the yearning to start a label took hold: “they were playing with two drummers, they were so tight. I thought, ‘this is great’. So I tried to get the rights, because my wife’s best friend was doing the live streaming and video. But I was nobody, so no way would I get a licence to release that.

“So I went to the BBC and looked for rights I could easily get, things like radio broadcasts, and jazz for vinyl rights was easy. Hence we did the Tubby Hayes Jazz For Moderns, our first release.”

Tenor saxophonist and vibraphonist Hayes was one of Britain’s most revered jazz musicians, and the album was a first-ever commercial release of a 1962 broadcast. Archive-first releases continue to be a significant component of Gearbox’s burgeoning catalogue; the latest such is Dexter Gordon’s Fried Bananas, mastered from VPRO radio broadcast tapes recorded during the celebrated American jazz saxophonist’s 1972 Netherlands tour.

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About Long Live Vinyl

In issue 18 of Long Live Vinyl we celebrate the 30th anniversary of Pixies’ classic debut album Surfer Rosa. We’ve left no stone unturned in getting the inside track on the making of the record at Boston’s Q Division Studios as Black Francis, Joey Santiago, Vaughan Oliver and Simon Larbalestier tell Long Live Vinyl about the legacy of an album that inspired David Bowie, Kurt Cobain, Smashing Pumpkins and Radiohead. Plus, we bring you an in-depth review of 4AD’s new Come On Pilgrim… It’s Surfer Rosa Deluxe Edition. Elsewhere in this packed issue of Long Live Vinyl, we speak to teenage duo Let’s Eat Grandma about their superb sophomore album, I’m All Ears, head out on the road with Chicago guitar virtuoso Ryley Walker and tell the story of Small Faces’ legendary Ogdens’ Nut Gone Flake LP. Post-punk fans will want to check out our Essential top 40 – a definitive collector’s guide to the genre, and our Classic Album series focuses on Pulp’s 1995 career-high Different Class. We also hear from legendary photographer Mick Rock about shooting David Bowie, Iggy Pop and Lou Reed, and The Trip visits a cratedigger’s paradise – Amsterdam. If all that’s not enough, you’ll find the widest range of album, turntable and hi-fi accessory reviews anywhere on the newsstand. Enjoy the issue!