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PaintersOnline editor’s choice

David Thomas Longstone Lighthouse, Farne Islands, watercolour, 10½x17in (27x43cm)

David Thomas has lived in Yorkshire since the age of 11. He trained as an architect at Huddersfield School of Architecture and has always managed to develop his hobby of watercolour painting in parallel with his career as an architect. ‘My father, a BBC engineer, moved his family as he achieved successive promotions,’ he writes, ‘but always created a workshop on arrival at each house where he made items of furniture and radio cabinets.’ David has continued this pattern by designing and making furniture in his own workshop. Since retirement in 1997 he has made prototypes of an easel, a browser and a walking frame, which have in common unusual folding mechanisms.

Longstone Lighthouse is taken from the TV series Vera. It has a bit of everything - figures, landscape and architecture. I’ve used it as a demonstration for my watercolour class and it also appears as a demonstration on Facebook. I began by turning the board round 180 degrees and laying a graded wash of light red at the horizon and cobalt blue above. There’s no need to paint around the figures. I established some tones for the figures and base of the lighthouse. Patience was required for the landscape, which has a lot of colour and tonal variation. A careful drawing of the shapes helped, and I began to think of it as a kind of loose jigsaw puzzle. A mix of cadmium red and quinacridone violet was used for the lighthouse. I strengthened the grey base of the lighthouse and worked on the figures, adding a hint of a reflection of the lighthouse tower in the pool to finish. Assessing it on the mantlepiece, I made many adjustments and spent some time with the figures, which are an important element in this painting.’

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The Artist
December 20
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FEATURES
Sensory landscapes
Annie Boisseau, winner of The Artist Award at the 2019 Royal Society of British Artists’ exhibition, talks to Susie Hodge about inspiration, colour and light
How to use video to promote your art
Sarah Edmonds continues her series with advice on how to create videos at home and post them online, together with top tips for filming and equipment recommendations
PRACTICALS
Aerial perspective in watercolour
Paul Weaver reveals the key techniques he uses to achieve aerial perspective, focusing on tonal recession, colour temperature and edges
A great combination
Liz Seward recommends working with coloured pencil over watercolour. Be inspired as she demonstrates a still life in a combination of these media
Perfect pet portraits
Paul Talbot-Greaves offers some great advice for painting a pet using acrylics, with tips on lighting, background and how to obtain a good reference photo
Paint lively street scenes from photographs
What do you do when you’re not able to paint in situ? You work from photographs, says Adebanji Alade, who shares his techniques for painting vibrant urban scenes using diff erent media
DEMONSTRATION Summer Light, Oxford Street
For this painting I used gouache, which is such a wonderful medium, very forgiving and it produces some of the purest and brightest colours when mixed
Techniques for great skies
Tony White shares his methods for painting successful skies that will establish the mood and atmosphere of your watercolour paintings
Self-portraits from life
Kathy Barker demonstrates a self-portrait in oils as she takes you through the materials you’ll need, setting up and the painting process
Line and wash
Try your hand at line and wash paintings with Milly England. Here she recommends nibs and inks to use and shares her tips for adding the wash
The individual in the crowd
Let Carl Knibb inspire you to paint a narrative with figures moving through a cityscape
Subject selection and composition
Nicholas Poullis begins a new series in which he explains how to create a watercolour painting from conception to finished picture. His first article tackles composition and subject selection
The sky at night
Becky Thorley-Fox recommends dusk and night-time plein-air painting and demonstrates, with tips and advice, how to capture glowing hues and moody skies in oil
Winter buildings
Julie Collins brings her current series to a close with some ideas for modifying your colours for watercolour paintings of winter buildings