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Lutherie

MY SPACE

LUTHIER GERTRUD REUTER

A peek into lutherie workshops around the world

I’ve been working in this shop since 1988, but I’ve only been the manager for the past two years. Before that, it was owned by Roland Baumgartner, who’d been working there for almost five decades.

I started working with him soon after I finished studying at the Mittenwald Violin Making School, and apart from a little time spent with other makers in Germany and Switzerland, I’ve been here ever since. Roland finally decided to retire from instrument making and restoration in 2019, although he still comes in to assess, evaluate and appraise instruments, and issue certificates. So the shop now includes my own paraphernalia and a lot that I inherited from Roland; for instance, the showroom contains furniture from the Paris firms of Caressa & Français, Maucotel &

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The Strad
August 2021
ANSICHT IM LAGER

Andere Artikel in dieser Ausgabe


In This Issue
Editor’s letter
ANGELA LYONS For most musicians, living through the
SOUNDPOST
Letters, emails, online comments
REGULARS
On the beat
News and events from around the world this month
NEWS IN BRIEF
Julian Lloyd Webber hits out at post- Brexit
IN FOCUS
GIROLAMO AMATI II
TRADE SECRETS
Making a martelé button
MAKING MATTERS
Something in the air
MASTERCLASS
BRAHMS VIOLA SONATA OP.120 NO.1
TECHNIQUE
Playing with expression
CONCERTS
Live streams: US
RECORDINGS
HOMAGE TO BACH BACH Solo Violin Sonatas: in
BOOKS
Monograph of the Antonio Stradivari Cello c.1690 ‘Barjansky’ Ed.
From the ARCHIVE
FROM THE STRAD AUGUST 1901 VOL.12 NO.136
VIKTORIA MULLOVA
The Sibelius Violin Concerto played a pivotal part in the Soviet-born violinist’s life – even though it was unknown to her until the age of 18
FRONT
A kind of magic
The powers of alchemy form the basis of a new string quartet
NEW PRODUCTS
Pure and simple A user-friendly tuning website for
Life lessons
The acclaimed solo and chamber bassist stresses the importance of self-reliance and self-discipline in building a meaningful career and life
RELAXED BODY, FOCUSED MIND
The art of Chinese calligraphy has much to teach us about playing a stringed instrument, writes violist Hsin-Yun Huang
FEATURES
A SUNNY DISPOSITION
In the past few years, US violinist Esther Yoo has seen her career blossom as a soloist and chamber player. And despite the pandemic, she has seized every opportunity to grow as a musician, as she tells
ADJUSTMENT TO CHANGE
The method of connecting an instrument’s neck to its body has undergone seismic changes since the Baroque era. Joseph Curtin analyses the ancient and modern procedures, and examines the benefits offered by fixing an adjustable neck
LORD OF THE DANCE
Three centuries ago, Bach had completed his set of six Sonatas and Partitas for solo violin. In the second of two articles, Lewis Kaplan, senior member of the Juilliard School faculty, discusses interpretation of the three partitas – with reference to Bach’s autograph score
An enduring legacy
Like their close contemporaries the Knopfs, the Herrmann family of bow makers left behind a large number of bows, many of which show exquisite craftsmanship. In the second of two articles, Gennady Filimonov examines their history, their connections with the Knopfs, and several examples of their work
WEATHERING THE STORM
Violinist Karen Gomyo’s new album, dedicated to Astor Piazzolla and recorded during the Covid-19 pandemic, was a profound and personal project for all involved, writes Rita Fernandes
PORTRAIT OF A LADY HOLDING A VIOLIN
Taking a Regency portrait of an unknown violinist as his starting point, Kevin MacDonald investigates the lives and careers of Louise Gautherot and other female violinists of Georgian England
AHEAD OF THE CURVE
Recording the archings of instruments is one of the most difficult areas of violin making and restoration. Charline Dequincey describes a method using dental compound which is accessible to anyone, and gives high-quality results
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