THE STORY OF THE SHOT
How iconic images came to life
King Kong
IF KING KONG is billed as ‘The Eighth Wonder Of The World’, the climax of King Kong might well be the ninth. On the rampage in New York, the outsized ape, Ann Darrow (Fay Wray) in hand, seeks sanctuary on top of the Empire State Building and is strafed by four aircraft. A superb piece of action choreography achieved via a seamless mixture of different VFX disciplines (stopmotion animation, miniatures, in-camera compositing), it’s a set-piece that has become a pop culture touchstone, referenced by the diverse likes of Batman: Mask Of The Phantasm, The Rocky Horror Picture Show and Brooklyn 99.