GB
  
You are currently viewing the United Kingdom version of the site.
Would you like to switch to your local site?
5 MIN READ TIME

REVIEWS| ELECTRIC GUITARS

KNAGGS

SSC-J Steve Stevens Signature

Editors’ Pick

TO DATE, KNAGGS has released several Steve Stevens models, including the SS1 SS2, SSC, SS Severn XF and SS Potomac acoustic. Now comes the SSC-J, a strippeddown LP Junior–inspired affair that has the distinction of being Stevens’ first signature model without a maple top. It features a 24 ¾–inch scale mahogany set neck and a non-contoured body of choice mahogany with sumptuous graining that on my test model was highlighted by a BlackBurst nitrocellulose lacquer finish (see the specs chart for all the available colors). Weighing in at under seven pounds, the guitar feels light and nimble. It’s an inspiring player, with its low action and well-groomed mediumjumbo frets on an East Indian rosewood ’board adorned with pearloid SSC block inlays that are like rectangular versions of Gretsch “thumbprint” markers.

Asked about the inspiration for this guitar, Stevens says, “As the regular SSC model is quite elaborate, we were looking for something more stripped down and at a lower price point. At the same time, I’ve always loved Les Paul Specials and Juniors. —I would borrow Billy Idol’s ’59 Junior for some of our recordings — so the SSC-J neck was inspired by a ’59 reissue that I have. I’m a firm believer that part of the tone of the guitar is due to the front-to-back thickness of the neck. I think I naturally have two mindsets when playing a G-style or S-style guitar, but once there’s a

Read the complete article and many more in this issue of Guitar Player
Purchase options below
If you own the issue, Login to read the full article now.
Single Digital Issue July 2024
 
£6.99 / issue
This issue and other back issues are not included in a new subscription. Subscriptions include the latest regular issue and new issues released during your subscription. Guitar Player

This article is from...


View Issues
Guitar Player
July 2024
VIEW IN STORE

Other Articles in this Issue


FROM THE EDITOR
THE WHOLE NUMBER
IT ISN’T OFTEN that an artist offers access
NEW & COOL
MODERN COMFORTS
With design tweaks and a bespoke Mastery trem, the revamped Novo Miris J becomes a sublime player.
ALBUMS
WHAT DOESN’T KILL YOU
Sidelined by tinnitus and mental health issues, John Osborne came back a stronger guitarist than he was before.
TIPSHEET
TIP SHEET
Journeyman Kenny Greenberg shares the advice that’s made him a go-to guitarist for everyone from Willie Nelson to Taylor Swift.
MEET YOUR MAKER
REBELS WITHOUT A PAUSE
Since 1977, Dean Guitars has drawn guitarists looking for quality axes with attitude. Nearly 50 years on, they’re pushing the envelope on innovation… and still raising hell.
FIVE SONGS
MY CAREER IN FIVE SONGS
His long train keeps on runnin’. The Doobie Brothers’ Tom Johnston shares the stories behind the classic tracks that he loves best.
COLUMNS
How Rock Rolled
Overshadowed by the Les Paul, the Gibson ES-295 brought rock to concert stages in the hands of Scotty Moore.
Baker’s Dozen
When it came to guitar instrumentals, no one served them hotter than Mickey Baker.
PLAYERS
WITH THE FLOW
The vintage instruments and recording gear in his upstate New York studio let Sam Evian follow his muse where it leads. On Plunge, it swims in a wash of warm, overdriven guitars
BEING JOHN 5
In his most personal and revealing interview ever, John 5 explains how fear of flying, OCD and a string of personal tragedies shaped him to become the guitar virtuoso he is today
ANOTHER SIDE OF MOLLY MILLER
She revels in her jazz chops on The Battle of Hotspur. But as this doctor of musical arts explains, it’s just one facet of her myriad guitar talents
‘ BUT I HAVE TO BE MY OWN ARTIST ’
‘People expect me to stay rooted in the blues.
FRETS
TRIPLE VISION
What happens when three acclaimed fingerstylists join their superpowers? Andy McKee, Calum Graham and Trevor Gordon Hall reveal the answer with Tripliciti, their new trio and self-titled textural album
LESSONS
FROM MICHIGAN TO MÖTLEY CRÜE
A masterclass with John 5 on the virtues of musical diversity, consistency and dedication to your art.
Test of Time
Teja Gerken shares lessons learned from his new solo effort.
GEAR
RS GUITARWORKS
Slab Lowboy
BOURGEOIS
Touchstone Signature OM and Dreadnought
TWO NOTES
GENOME Amp Modeling Software
SILKTONE
Overdrive+
DANELECTRO
Nichols 1966
HOW I WROTE
“All the Way From Memphis”
Ian Hunter opens up about the fate of the guitar at the heart of Mott the Hoople’s 1973 classic tune.
Chat
X
Pocketmags Support