GB
  
You are currently viewing the United Kingdom version of the site.
Would you like to switch to your local site?
18 MIN READ TIME

pure ORANGE extract

CODE ORANGE’S REBA MEYERS AND DOM LANDOLINA SHIFT LANES WITH THE ABOVE (WHILE STEVE ALBINI AND SMASHING PUMPKINS’ BILLY CORGAN COME ALONG FOR THE RIDE) BY JON WIEDERHORN
Reba Meyers in action with Code Orange in Indio, California, April 22, 2022
PHOTO BY THEO WARGO/GETTY IMAGES

“"I JUST WA NTED TO HEA R MORE HONESTY IN MY GUITA R PA RTS"”

AGGRESSIVE METAL AND teeth-grinding tension go together like energy drinks and vodka —in more ways than one. They’re likely to ramp up the intensity and energy levels of a band, but they also can lead to emotional turmoil, instability and crippling volatility. The six touring members of Code Orange —guitarists Reba Meyers and Dom Landolina, vocalist Jami Morgan, bassist Joe Goldman, multi-instrumentalist Eric “Shade” Balderose and drummer Max Portnoy —don’t need caffeine and booze to feel jumpy. Theirs is an anxiety born from ambition, insecurity and a little chemical imbalance, and working together simultaneously feeds their neurosis and gives them an outlet to purge their poisons.

Read the complete article and many more in this issue of Guitar World
Purchase options below
If you own the issue, Login to read the full article now.
Single Digital Issue March 2024
 
£7.99 / issue
This issue and other back issues are not included in a new subscription. Subscriptions include the latest regular issue and new issues released during your subscription. Guitar World
Annual Digital Subscription SPECIAL OFFER: Was £10.99 Now £5.99 billed annually
Save
94%
£0.50

This article is from...


View Issues
Guitar World
March 2024
VIEW IN STORE

Other Articles in this Issue


WOODSHED
NOT JUST THE BILLIE JOE SHOW
VOL. 45 | NO. 3 | MARCH 2024
DEPARTMENTS
SOUNDING BOARD
Got something you want to say? EMAIL US AT: GWSoundingBoard@futurenet.com
Serious Art Rock
HOW TOOL’S ADAM JONES CHANNELS HIS PASSION FOR VISUAL ART INTO THE ADAM JONES LES PAUL CUSTOM ART COLLECTION
INQUIRER TROY MCLAWHORN
THE EVANESCENCE GUITARIST TALKS KILLER TRENCH COATS AND THE AMP THAT GOT AWAY
Cannibal Corpse
ERIK RUTAN AND ROB BARRETT DELIVER PLENTY OF HELLISH SHRED AND HARMONIC TENSION ON CHAOS HORRIFIC
One Bad M.F.
“I HOPE THE TRADITIONAL GUITAR SOLO DIES A SLOW AND PAINFUL DEATH.” GW CATCHES UP WITH MIGHTY MARTY FRIEDMAN
George Harrison and the Hamburguitar
GRETSCH, RICKENBACKER, FENDER … HAMBURGUITAR? IN THE BEATLES’ MID-NINETIES ANTHOLOGY ERA, GEORGE HARRISON'S GUITARS OF CHOICE WERE BUILT BY A MAN NAMED BERNIE HAMBURGER
Phantom SG Junior
PHANTOM PLANET FRONTMAN ALEX GREENWALD SHARES THE BIZARRE TALE OF HOW HE RECONNECTED WITH HIS LONG-LOST EPIPHONE
Helmet
PAGE HAMILTON BRINGS STACCATO STABS OF FEEDBACK, AVANT-GARDE SHOEGAZE AND TWISTED BLUES TO THE NYC ALT-METALERS’ LATEST
Mary Timony
THE FORMER HELIUM AND WILD FLAG D.C. ROCKER CAN STILL UNLEASH SOME DECIDEDLY UNTAME SOUNDS
Denny Laine (1944-2023)
THE GUITARIST WHO CO-WROTE McCARTNEY’S BIGGEST ’70S HIT
SOUND CHECK
UAFX Lion ’68 Super Lead Amp pedal
Ernie Ball Music Man Luke 4 SSS
MUSIC MAN RELEASED its first Steve Lukather signature
Stage Right by Monoprice SB100 100-Watt All-Tube Two-Channel Guitar Amplifier with Reverb
CHEAT SHEET STREET PRICE: $487.49 MANUFACTURER: Stage Right
Buzz Bin Revv Amplification Tilt Boost
NOT ALL BOOST pedals are created equal. Of
Squier Paranormal Custom Nashville Stratocaster
TEMPTATION, THY NAME is Squier. Over the last
SING THE SONG, PART 3
More on mimicking vocal melodies
SHOUT OUT
Tools of the Trade, Part 12, and how to play “I Want to Shout About It”
NEXT LEVEL
Building a powerful arrangement, and how to play “Ghost of You,” part 2
CUFF’EM
Applying “handcuffs” as a soloing device
Performance Notes
HOW TO PLAY THIS MONTH’S SONGS
C. 1958-PRESENT GIBSON ES -335
CATEGORY: SEMI-HOLLOW ELECTRIC GUITAR
GUITAR WORLD
EDDIE MARTINEZ
The NYC session great recalls his time with Run-DMC, Blondie, David Lee Roth and Robert Palmer. He also sets the record straight about exactly who played the “Addicted to Love” guitar solo (Hint: It was Eddie Martinez!)
Citizens of Planet Marr
In a new book, SMITHS great Johnny Marr traces his entire career through the prism of his amazing collection of guitars. Why don’t all our guitar heroes do this?
WHISPERS IN THE ECHO CHAMBER
CHELSEA WOLFE and BRYAN TULAO break down the dark, swirling masterpiece that is SHE REACHES OUTTO SHE REACHES OUTTO SHE
FIRST KISS
EX-KISS LEGEND ACE FREHLEY TAKES A STRUT DOWN MEMORY LANE
PUNK TO THE RESCUE!
GREEN DAY’S BILLIE JOE ARMSTRONG REVEALS THE ORIGIN STORY BEHIND SAVIORS, THE PUNK SUPERHEROES’ FIRST NEW ALBUM IN FOUR YEARS, AND LOOKS BACK ON THE MAKING OF 1994’S DOOKIE
BURST ONTO THE SCENE
— or, at least, the mainstream scene — 30 years ago with Dookie, the multi-platinum monster of a record that was largely responsible for dragging punk rock out of cramped clubs and dingy DIY venues and into the world of sold-out arenas, glossy magazine covers and nearconstant radio and MTV rotation. And while the trio — singer and guitarist Billie Joe Armstrong, bassist Mike Dirnt and drummer Tré Cool — remain by far the most commercially successful punk band in history, they’ve also spent the last three decades taking a torch to any conventional ideas of what punk actually is.
PUNK ROCK OPERA
BILLIE JOE ARMSTRONG RECALLS THE MAKING OF GREEN DAY’S MONUMENTAL COMEBACK ALBUM, 2004’S AMERICAN IDIOT
THE BYRD THAT SOARED
How TED NUGENT accidentally destroyed — and later gave away — his first GIBSON BYRDLAND
LAND O’ PLENTY
A BEGINNER’S GUIDE TO THE GIBSON BYRDLAND
TRANSCRIBED
“DON’T BACK DOWN”
Mammoth WVH
“DON’T THINK TWICE , IT’S ALL RIGHT”
Eric Clapton
“FOLSOM PRISON BLUES” (LIVE , 1968)
Johnny Cash
Chat
X
Pocketmags Support