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Taking The 5th
This issue Richard Barrett explores how omitting the 5th in chords can affect their sound and open doors to a much wider vocabulary
Anyone who has studied chord theory will confirm that the basis of a major or minor chord is the triad of root, 3rd (or b3rd) and 5th. Once we start altering or extending chords, though, the picture becomes slightly less clear. A sharp or flat 5th deviates from the norm, but it still refers to the ‘root, 3rd, 5th’ formula as a basis.