GB
  
You are currently viewing the United Kingdom version of the site.
Would you like to switch to your local site?
3 MIN READ TIME

Dave Seeley

Order from chaos Life gives the Boston artist lemons, so he makes art studio lemonade…

A premium art print of Terminator: No Fate But What We Make, created for Sideshow Collectibles.
©StudioCanal S.A.

For 25 years I’ve kept the remote aspects of my studio space, including woodshop, storage and printing, in my mom’s basement. It was an ideal situation, where I could fulfil ancillary needs every fortnight, visit her and tend to her household jobs.

In March 2020, just as the US went into Covid-19 lockdown, I lost her to dementia. In the scramble to clear her property for sale, I had to find another space for remote studio needs, or liquidate the stuff and the equipment. In my search for a new space, it became clear that it was going to take much longer than I had to find the right long-term solution. Fellow artist Rick Berry and I looked at a few options around his studio in nearby suburb Arlington. Rick’s industrial studio building was slated for redevelopment, but anything we looked at paled in comparison to his studio, and my time was running out.

Unlock this article and much more with
You can enjoy:
Enjoy this edition in full
Instant access to 600+ titles
Thousands of back issues
No contract or commitment
Try for 99p
SUBSCRIBE NOW
30 day trial, then just £9.99 / month. Cancel anytime. New subscribers only.


Learn more
Pocketmags Plus
Pocketmags Plus

This article is from...


View Issues
ImagineFX
April 2021
VIEW IN STORE

Other Articles in this Issue


Regulars
Welcome to…NO. 1 FOR DIGITAL ARTISTS Imagine FX
This month’s cover serves as a statement of
Resources
Getting hold of this issue’s resources is easy. Just visit http://ifxm.ag/book198illo
Letters YOUR FEEDBACK & OPINIONS
Contact the editor, Claire Howlett, on claire@imaginefx.com or
Your art
FX Posé
PLACE TO SHARE YOUR DIGITAL ART
News and events
How to break into book illustration
Hit the books What do artists need to know to enter the world of book illustration? Dom Carter talks to professionals to find out
Imagine FX
A day in the life of… Luis Carrasco
Problem solver We discover what the average day looks like for Terraform Studios’ character art director
Features
ARTIST PORTFOLIO NAOMI BAKER
The concept artist and character designer chats with Ruth Hamilton about making the leap to Marvel and the magic of traditional media
Sketchbook Mia Araujo
Striking character artwork fills the pages of the US illustrator’s  sketchbook, including a reimagining of Alice in Wonderland
Workshops
Artist insight 15 TIPS ON BOOK ILLUSTRATION
Bestselling author and illustrator, Tony DiTerlizzi shares his knowledge on how he creates a fantastic world within the pages of a book
Photoshop & traditional skills CRAFT A PORTRAIT FOR A BOOK COVER
Greg Ruth lays out the process behind the creation of his portrait for the cover to Nghi Vo’s The Chosen and the Beautiful, for Tor Books
GET BETTER AT PICKING COLOURS
Angela Sung breaks down her colouring process and reveals the importance of warm vs cool colours
PAINT AND REFINE A DEMONIC FIGURE
Jim Pavelec reveals the inspiration and painting techniques used to create the demon Haagenti for his ambitious Ars Goetia project
Reviews
iPhone 12 mini
THINK BIG Apple has squeezed its flagship phone tech into a smaller chassis. Was the move a success?
Sci-fi & Fantasy: Oil Painting Masterclass
PALETTE CLEANSER Want to boost your oil painting skills? Then Patrick J Jones is on hand to pass on his extensive artistic know-how
Astrology
HEAVENS ABOVE Delve into the wondrous art created by painters inspired by the Sun, Moon and planets, and the signs of the Zodiac
The Art of Hearthstone III
MAMMOTH UNDERTAKING Explore the many bizarre creatures, objects and settings that feature in Blizzard’s expansion to its ever-popular game Hearthstone
Traditional Artist
FXPosé
SHOWCASING THE FINEST TRADITIONAL ARTISTS
PAINT COMPELLING BOOK COVER ART
IRIS COMPIET reveals how she paints an eye-catching, wraparound book cover for her book Faeries of the Faultlines using watercolour, gouache and pencil on paper
First Impressions
Representation lies at the heart of this US illustrator’s work
Chat
X
Pocketmags Support