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THE STRAY CATS RELEASE THEIR DEBUT ALBUM

FEBRUARY 1981

Blasting into the charts like they’d been in deep freeze since 1957, the Stray Cats brought the fi ery, hip-thrusting spirit of old-time rock’n’roll into the 1980s with a blistering set of instant rockabilly classics. Formed in New York City in 1979 by guitarist and vocalist Brian Setzer, double bassist Lee Rocker and sticksman Slim Jim Phantom, the Teddy Boy trio would fi nd their biggest success in the UK. Their eponymous debut LP, which was produced by pub rock maestro Dave Edmunds, would peak at No.6 over here and spawn three Top 20 hits in Runaway Boys (No.9), Rock This Town (No.9) and Stray Cat Strut (No.11). The band would split in 1984 (the same year Slim Jim Phantom married Bond girl Britt Ekland), before reuniting in 1986, before splitting in 1993, before reuniting in 2004, before splitting in 2009. Their latest reunion came in 2018 and they released 40 in May 2019, their fi rst studio album since Original Cool in 1993. And yes, even in their fi fties and sixties, the Stray Cats are still the bequiffed kings of good-time, bad boy rockabilly.

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Classic Pop
Feb 2020
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Altri articoli in questo numero


Classic Pop
WELCOME
The word on the street when we were first thinking
NEWS
SURPRISE REUNION FOR EURYTHMICS AT STING’S RAINFOREST BENEFIT SHOW
Eurythmics reunited for the first time in five years
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HUEY LEWIS DEFIES THE ODDS TO RECORD NEW STUDIO ALBUM
Huey Lewis And The News’ new album Weather is reviewed
PET SHOP BOYS HINT AT GLASTO RETURN
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CLASSIC POP Q+A
THE CHINA CRISIS FRONTMAN FOLLOWS UP LAST YEAR’S ACCLAIMED SOLO ALBUM GONE FROM HERE WITH LUNA LANDINGS, A BEAUTIFUL SET OF UNRELEASED 80S SYNTH INSTRUMENTALS. ANDY JONES FINDS OUT MORE.
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READERS SHARE THEIR FAVOURITE PHOTOS AS THEY GET UP CLOSE AND PERSONAL WITH SOME OF THE BIGGEST NAMES IN PLANET POP
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AFTER FALLING IN LOVE WITH THE WONDERS OF NATURE, MARC HAS HIT THE BOOKS AND IS STUDYING TO BE A DRUID
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ALISON MOYET
ONE O F THE F INEST VOCAL ISTS OF H ER GENERAT ION, THE EX-YAZOO FRONTWOMAN’S SOLO CAREER I S A LSO A T ESTAMENT TO HER D IVERSE SONGWRI T ING ABI L I T Y
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NOT ONLY A SHINY NEW YEAR LIES AHEAD, SO TOO A BOX-FRESH DECADE ANTICIPATING WHAT MUSICAL GEMS AND HAIRCUTS WILL CHARACTERISE THESE SO-CALLED ’NEW TWENTIES’. NATURALLY, IN THE MEANTIME, SOME FAMILIAR FACES WILL BE RETURNING TO ENTERTAIN FANS OF CLASSIC POP, TOO. PET SHOP BOYS AND MARC ALMOND GOT A HEAD START ON EVERYONE WITH EXCELLENT EARLY JANUARY ALBUMS, BUT THERE IS PLENTY MORE TO MARK ON YOUR CALENDARS INCLUDING SIGNIFICANT ANNIVERSARIES ALONGSIDE SOME SPECIAL TOURS. AND, OF COURSE, DON’T FORGET MADONNA’S RIDING CROP WILL BE WARMING UP THE WINTER MONTHS AT HER MADAME X PALLADIUM RESIDENCY IN LONDON.
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OVER 25 YEARS AFTER DREAMS MADE GABRIELLE A PHENOMENON, SHE REMAINS ONE OF THE FINEST POP SINGERS BRITAIN HAS PRODUCED. OVERCOMING REMARKABLE ADVERSITY, AT 50, SHE’S FINALLY READY TO ACCEPT HER TALENT…
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THE CHORUS OF COURTEENERS’ RECENT SINGLE BETTER MAN SUMMARISES SINGER LIAM FRAY’S ATTEMPTS AT SELF-IMPROVEMENT AND THE IMPOSTOR SYNDROME HE FEELS ABOUT HIS BAND’S STATUS AS ONE OF THE LAST ROCK & ROLL STADIUM OUTFITS LEFT STANDING. FRAY TELLS JOHN EARLS HOW THESE ISSUES INFORMED THEIR DAZZLING NEW ALBUM.
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