MARK ELLIOTT
Milli Vanilli’s Grammy Award for Best New Artist was withdrawn when it emerged that the pair hadn’t sung on their debut album
© Everett Collection Inc/Alamy Stock Photo
There was a time, of course, when the artist barely mattered at all. Throughout the first half of the 20th century, the song (or song sheet, from a business perspective) was what it was really about.
Acts would record their interpretation of a tune and hope their version would be the one to cut through. Even during the early years of the rock ‘n’ roll era, multiple versions of a song would chart at the same time. Michael Holliday made the UK No.1 spot with his version of Bacharach & David’s The Story Of My Life in 1958 by seeing off rival concurrent hit cuts by Alma Cogan, Dave King and Gary Miller. Seven years later, Cilla Black’s version of You’ve Lost That Lovin’ Feelin’ was still able to share one week’s UK Top 3 with the original by The Righteous Brothers.
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