The Critic | May 2022
With a special section on music, the May issue of The Critic is the magazine of ideas for open-minded readers.
Among the writers joining the music coverage, leading harpsichordist, Mahan Esfahani, uncovers why Bach’s Goldberg Variations were rarely heard until Glenn Gould made them famous, Michael Henderson lauds Roxy Music as the group that rescued British rock and pop from the bum notes of 1972, and Norman Lebrecht regrets the uneven repertoire that is the consequence of leading American orchestras giving as much clout to their diversity, equity and inclusion officials as to their musical director.
Elsewhere in the issue, Patrick Porter locks horns with the nuclear weapon abolitionists, Patrick Galbraith makes the environmental case for cows, Laura Dodsworth uncovers the reality behind the craze for young women trying to become trans men through “top surgery”, and Alexander Larman salutes Kingsley Amis.
Alongside The Critic’s seasoned cultural commentators, reviewers, sportswriters and tastemakers, the May issue is the guide to the arts and issues of today.
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The Critic is Britain’s new monthly magazine that focuses on politics, art, literature, opinions, challenging ideas, diversions and more. Co-edited by Michael Mosbacher and Christopher Montgomery, The Critic speaks against a dangerous consensus that finds critical voices triggering, troubling, insensitive and disrespectful. Each monthly issue is comprised of highly honest and informed writing, rigorous content and thoughtful reflections from an opinion society.
The Critic provides open-minded readers with an honest view of all sides of today’s political and cultural debates, as well as asking the hard-hitting questions that other publications won’t. Discover a variety of regular features that speak honestly and lucidly about today’s current affairs and explore the opinions which govern modern Britain and so much more in every monthly issue.
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Nota: le edizioni digitali non includono gli articoli di copertina o i supplementi che si trovano nelle copie stampate.
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