Shopping Cart -

Your cart is currently empty.
This website use cookies and similar technologies to improve the site and to provide customised content and advertising. By using this site, you agree to this use. To learn more, including how to change your cookie settings, please view our Cookie Policy
Pocketmags Digital Magazines
IT
Pocketmags Digital Magazines
   You are currently viewing the Italy version of the site.
Would you like to switch to your local site?
Leggi ovunque Read anywhere
Modalità di pagamento Pocketmags Payment Types
Trusted site
A Pocketmags si ottiene
Fatturazione sicura
Ultime offerte
Web & App Reader
Regali
Loyalty Points

THE PEOPLE’S VIOLIN MAN

During the 19th century there was an upsurge of interest in violin playing in Britain. At its centre, writes Kevin MacDonald, was the Scottish violinist and writer William C. Honeyman – purveyor of string secrets to the masses and perhaps the inspiration for Sherlock Holmes
Honeyman pictured on the cover of Sco Wsh Violin Makers: Past and Present (1899)
ALL IMAGES EXCEPT SPOHR PORTRAIT COURTESY KEVIN MACDONALD

Before there was The Strad magazine, before there was Sherlock Holmes, there was William C. Honeyman (1845-1919), violinist, journalist and mystery writer. Honeyman was very much a Scottish personality: leader of the Leith Theatre orchestra and the Dundee Symphony Orchestra, columnist and sometimes editor of the Dundee-based People’s Friend magazine for 37 years (1872-1909), and author of Scottish Violin Makers: Past and Present (1899). Importantly, prior to The Strads 1890 debut, his pioneering articles and violin column in The People’s Friend, as well as two initial violin how-to books (The Violin: How to Master It, 1881; The Secrets of Violin Playing, 1890), fed a hunger for information by non-professional players during the Victorian violin fever that swept across all economic classes in Britain.

Slightly over a century since Honeymans death in April 1919, it is a good time to review his contributions to the early British violin literature. Yet before I begin in earnest, a brief digression concerning Honeyman’s possible impact on the great violinist- detective Sherlock Holmes is required. A professional violinist plagued by illness, Honeyman wrote the serialised McGovan detective stories from 1873 under the pen name James McGovan, to supplement his income. They were enormously popular, anthologised from 1878 and translated into French and German. They featured an Edinburgh detective, the recruitment of street youngsters to fight crime and an arch-villain (McCluskie as opposed to Arthur Conan Doyle’s Moriarty) at the centre of a web of operatives all available on news-stands when Doyle was a young Edinburgh medical student. That Doyle, not a very musical man, should have chosen (in A Study in Scarlet in 1887) that Holmes be a violinist is perhaps a nod to Honeymans other popular writings on violins. String teacher and writer Mary Anne Alburger has even suggested that Holmes’s retirement to keep bees is a final wink, in that he truly becomes a ‘Honey-man’.

READ MORE
Purchase options below
Find the complete article and many more in this issue of The Strad - March 2020
If you own the issue, Login to read the full article now.
Single Issue - March 2020
€5,49
Or 549 points
Annual Digital Subscription
Only € 3,25 per issue
SAVE
41%
Was €54,99
Now €38,99

View Issues

About The Strad

We explore the life of viola pedagogue Karen Tuttle and investigate the potential for Chinese tonewood. Augustin Hadelich takes us through Beethoven’s Violin Concerto in Masterclass and we examine Pablo Casals’s approach to vibrato. Plus Leonidas Kavakos’s Sentimental Work