Kató Havas pictured at the time of her US debut at New York’s Carnegie Hall in 1939
Born in 1920 in Transylvania, the Hungarian violinist Kató Havas was a child prodigy and by the age of nine was accepted to study at the prestigious Franz Liszt Academy of Music in Budapest. The youngest student there, she came under the influence of giants of the musical world – Bartók, Kodály, Dohnányi and Hubay, and her own teacher Imre Waldbauer, well known for his work on posture. After graduating, Havas left Hungary for America, where she gave her US debut recital at Carnegie Hall, New York, in October 1939 before embarking on a critically acclaimed concert tour.
There followed a period of withdrawal when she married, had a family and put violin performance to one side. Although her playing had been much admired, she herself had never felt completely at one with it. She wondered how her childhood friend the gypsy violinist Csicso could produce the most ravishing tone on a simple violin while playing the most complex things, all with apparent ease and joy. So, during this period, questions and ideas began forming in her mind and she gradually evolved her ‘New Approach’.
Leggete l'articolo completo e molti altri in questo numero di
The Strad
Opzioni di acquisto di seguito
Se il problema è vostro,
Accesso per leggere subito l'articolo completo.
Singolo numero digitale
September 2019
 
Questo numero e altri numeri arretrati non sono inclusi in un nuovo
abbonamento. Gli abbonamenti comprendono l'ultimo numero regolare e i nuovi numeri pubblicati durante l'abbonamento. The Strad
Abbonamento digitale annuale
OFFERTA SPECIALE: Era
€57,99
Adesso €45,99
fatturati annualmente